ABSTRACT

The Technique of Film & Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This new edition has been updated to include the latest advances in digital video and nonlinear editing and explores the new trend of documentary as mainstream entertainment, using films such as "Farenheit 9/11" and "The Fog of War" as examples.

part I|2 pages

I HISTORY OF FILM EDITING

chapter 1|36 pages

The Silent Period

chapter 2|14 pages

The Early Sound Film

chapter 3|18 pages

The Influence of the Documentary

chapter 4|10 pages

The Influence of the Popular Arts

chapter 5|16 pages

Editors Who Became Directors

chapter 6|13 pages

Experiments in Editing: Alfred Hitchcock

chapter 7|18 pages

New Technologies

chapter 8|20 pages

International Advances

chapter 9|11 pages

The Influence of Television and Theatre

chapter 11|12 pages

The MTV Influence on Editing I

chapter 12|18 pages

The MTV Influence on Editing II

chapter 13|9 pages

Changes in Pace

part II|2 pages

II EDITING FOR THE GENRE

chapter 17|13 pages

Action

chapter 18|13 pages

Dialogue

chapter 19|11 pages

Comedy

chapter 20|16 pages

Documentary

chapter 21|8 pages

Imaginative Documentary

chapter 22|14 pages

Innovations in Documentary I

chapter 23|7 pages

Innovations in Documentary II

chapter 24|10 pages

Ideas and Sound

part III|2 pages

III PRINCIPLES OF EDITING

chapter 25|12 pages

The Picture Edit and Continuity

chapter 26|10 pages

The Picture Edit and Pace

chapter 27|8 pages

The Sound Edit and Clarity

chapter 28|9 pages

The Sound Edit and Creative Sound

chapter 29|8 pages

Innovations of Sound

chapter 30|9 pages

Nonlinear Editing and Digital Technology I

chapter 31|16 pages

Nonlinear Editing and Digital Technology II

chapter 32|2 pages

Conclusion