ABSTRACT

Basic Betacam Camerawork offers a complete introduction to both the analogue and digital beta camera formats: Betacam, Digital Beta, Betacam SX and DV & DVCAM. Step-by-step instructions are given covering everything from pre-recording checklists, to technical camera specifications, instruction on exposure and lighting, composition, editing and sound and techniques for different programme styles.



Aimed at TV camera operators just starting out and film cameramen and women converting to video this book will also appeal to students on film and television production courses.

Peter Ward is a freelance cameraman and trainer working with the International Television Training Consultancy and ex-Chairman of the Guild of Television Cameramen. He spent many years working on a variety of programmes at the BBC before becoming Head of Cameras at Television South West. Peter is author of the following books for Focal Press: Digital Video Camerawork, Picture Composition for Film and Video , Studio & Outside Broadcast Camerawork, TV Technical Operations and co-author of Multiskilling for TV Production.

Basic Betacam Camerawork offers a complete introduction to both the analogue and digital beta camera formats.





chapter |2 pages

The (non) standard TV signal

chapter |2 pages

Colour

chapter |2 pages

The digital signal

chapter |2 pages

Why compression is needed

chapter |2 pages

Compression standards

chapter |2 pages

Charge-coupled devices (CCDs)

chapter |2 pages

Frame interline transfer (FIT)

chapter |2 pages

CCD integration

chapter |2 pages

Recording formats

chapter |2 pages

Format and production budget

chapter |2 pages

Betacam format

chapter |2 pages

Digital Betacam format

chapter |2 pages

Betacam SX

chapter |2 pages

The DV and DVCAM format

chapter |2 pages

The zoom lens

chapter |2 pages

Angle of view

chapter |2 pages

Depth of field

chapter |2 pages

Resolution

chapter |2 pages

Dual format cameras

chapter |2 pages

Camera controls

chapter |2 pages

Lens controls

chapter |2 pages

Colour temperature

chapter |2 pages

In-camera filters

chapter |2 pages

White balance

chapter |2 pages

Black balance

chapter |2 pages

Viewfinder

chapter |2 pages

Monocular and 5-inch viewfinder

chapter |2 pages

Exposure

chapter |2 pages

Contrast range

chapter |2 pages

Visual perception

chapter |2 pages

Contrast control

chapter |2 pages

Electronic contrast control

chapter |2 pages

Adjusting exposure

chapter |2 pages

Zebra exposure indicator

chapter |2 pages

Production requirements

chapter |2 pages

Face tones

chapter |2 pages

Gain, noise and sensitivity

chapter |2 pages

Electronic shutters

chapter |2 pages

Time-lapse controls

chapter |2 pages

Time code

chapter |2 pages

Time code and production

chapter |2 pages

Time code lock

chapter |2 pages

Menus

chapter |2 pages

Gamma and linear matrix

chapter |2 pages

Customizing the image

chapter |2 pages

Effects filters

chapter |2 pages

Scene files

chapter |2 pages

The ‘film' look

chapter |2 pages

Aspect ratio

chapter |2 pages

Widescreen

chapter |2 pages

Protect and save

chapter |2 pages

Viewing distance

chapter |2 pages

Invisible technique

chapter |2 pages

Programme production

chapter |2 pages

Customary technique

chapter |2 pages

Shot structure

chapter |2 pages

Composition

chapter |2 pages

Composition and the lens

chapter |2 pages

Camera movement (1)

chapter |2 pages

Camera movement (2)

chapter |2 pages

Controlling composition

chapter |2 pages

Camerawork styles

chapter |2 pages

Video news journalism

chapter |2 pages

Objectivity

chapter |2 pages

Structure

chapter |2 pages

Interviews

chapter |2 pages

Live inserts

chapter |2 pages

Satellite news gathering (1)

chapter |2 pages

Satellite news gathering (2)

chapter |2 pages

Camerawork and editing

chapter |2 pages

Continuity editing

chapter |2 pages

Perennial editing techniques

chapter |2 pages

Non-linear editing

chapter |2 pages

Editing technology

chapter |2 pages

Editing requirements (1)

chapter |2 pages

Editing requirements (2)

chapter |2 pages

Editing requirements (3)

chapter |2 pages

Location lighting

chapter |2 pages

Characteristics of light

chapter |2 pages

Controlling light

chapter |2 pages

Lighting a face

chapter |2 pages

Lighting levels

chapter |2 pages

Cold light

chapter |2 pages

Colour correction

chapter |2 pages

Mood and atmosphere

chapter |2 pages

Colour and mood

chapter |2 pages

Electrical location safety

chapter |2 pages

Programme production and audio

chapter |2 pages

The nature of sound

chapter |2 pages

Audio recording tracks

chapter |2 pages

Basic audio kit

chapter |2 pages

Choice of microphone

chapter |2 pages

Radio microphones

chapter |2 pages

Audio levels

chapter |2 pages

Recording levels

chapter |2 pages

Digital audio

chapter |2 pages

Using an audio mixer

chapter |2 pages

Location sound

chapter |2 pages

Recording an interview

chapter |2 pages

Stereo

chapter |2 pages

Road craft

chapter |2 pages

Operational checks (1)

chapter |2 pages

Operational checks (2)

chapter |2 pages

Camera mounts

chapter |2 pages

Batteries

chapter |2 pages

Pre-recording checklist

chapter |2 pages

Safety