ABSTRACT

In the last decade a greater demand has been placed on cameramen to record sound as well as pictures on location. For anyone wanting to learn about the basics of recording sound, specific to single camera location work this book provides an ideal grounding. It covers the equipment a single operator would use, methods and examples of how to learn sound techniques and ways of successfully working alone. While it offers an account of audio theory, including post-production it also explains the essential audio technology basics. Covering typical techniques including live broadcasting, it teaches practical everyday instruction on what microphones to rig, how to sound balance everyday news, magazine and current affairs etc.

Techniques are explained and laid out in an accessible format supported by diagrams and are organised in easy to browse topics for quick reference. The author's approach is clear yet comprehensive, offering real hands-on experience of the skills involved in broadcast audio. This manual is seen as a basic, practical introduction to tackling the problems of recording sound on location as a cameraman, thus providing the necessary experience and knowledge required of everyday operation.

chapter |3 pages

Introduction

chapter |6 pages

I'm all ears – theoretically!

chapter |6 pages

Sound measurement

chapter |8 pages

Camcorder: power and audio facilities

chapter |4 pages

Camcorder: sound levels

chapter |4 pages

Camcorder: sound metering

chapter |8 pages

Camcorder: external facilities

chapter |10 pages

Mics: types in common location usage

chapter |8 pages

Mics: cables and radio

chapter |4 pages

Mics: placement with regard to speech

chapter |2 pages

Sound balance and location acoustics

chapter |2 pages

Recording for the edit

chapter |6 pages

Safety

chapter |4 pages

Single person operation: shooting

chapter |6 pages

Sound recordist operation: mixer

chapter |4 pages

Sound recordist operation: mixing mics

chapter |2 pages

Sound recordist operation: balancing

chapter |4 pages

Stereo: mics and placement

chapter |2 pages

Stereo: mixer

chapter |4 pages

Live broadcasting

chapter |4 pages

Digital sound

chapter |4 pages

Timecode

chapter |2 pages

Pre-location equipment check

chapter |4 pages

Fault finding

chapter |6 pages

Equipment

chapter |6 pages

Call sheet details

chapter |2 pages

Insurance