ABSTRACT

This authoritative new reference demystifies the technologies of high definition and 24P cinematography. It is written for the director of photography, camera crew and producer or director and deals with the subject from their point of view. It provides a thorough and logical description of the five scanning formats 24P, 25P, 30P, 50i and 60i as well as recording formats, editing options, delivery potential and discussions on the financial implications theses decisions might have.


It looks at comparative costs between different decisions surrounding camera formats, such as 16mm to 35mm shooting for different examples, such as a 100-minute low budget movie or 30 second commercial. There is also considerable discussion on the advantages and disadvantages of using HD versus film, seen from a producer's perspective and what the impact is on all those involved in making a movie. Different delivery systems and camera equipment are discussed as well as editing.

Filled with practical advice for tackling everyday decisions and choices, this is a must-have guide for anyone using or considering using high definition technology.

part |2 pages

Part 1 Why Choose HDCAM?

chapter 1|2 pages

What is 24P and HDCAM?

chapter 2|3 pages

Picture quality

chapter 3|3 pages

Display quality

chapter 4|5 pages

Cost implications

chapter 5|2 pages

Delivery requirements

chapter 6|3 pages

Sales potential

part |2 pages

Part 2 Pre-Production Decisions

chapter 7|6 pages

Production considerations and frame rates

chapter 9|4 pages

Crewing

part |2 pages

Part 3 Preparing for a Shoot

chapter 10|7 pages

Camera preparation prior to the shoot

chapter 11|2 pages

‘Top of day’ camera assistant checks

chapter 12|5 pages

Troubleshooting

part |2 pages

Part 4 The Shoot

chapter 13|5 pages

Lighting and exposure for HD

chapter 14|11 pages

Lenses

chapter 15|4 pages

Monitors

chapter 16|4 pages

Colour balance

chapter 17|5 pages

Playback

chapter 18|3 pages

Shipping

chapter 19|5 pages

Multi-camera shoots

chapter 20|3 pages

Hazardous conditions

chapter 21|3 pages

Camera supports

chapter 22|3 pages

How HD affects other crafts

part |2 pages

Part 5 Examples of Shoots

part |2 pages

Part 6 Post-Production

chapter 24|6 pages

Post-production

part |2 pages

Part 7 The Sony HDW F900 Camera

chapter 25|3 pages

The camera head

chapter 26|3 pages

Digital imaging

chapter 27|6 pages

Frame rates and scanning

chapter 28|4 pages

The on-board VTR

part |2 pages

Part 8 A Selection of Other Cameras and Equipment

chapter 29|6 pages

The Panavision HDW 900F and its system

chapter 30|6 pages

The Sony HDW F750/F730 HD camera

chapter 31|8 pages

The Thomson Viper HD camera

chapter 32|3 pages

The Sony HDW F500 VTR

chapter 33|39 pages

The Sony HDW F900 menus