ABSTRACT

Dividing classical and popular music recording into two distinct sections, this book focuses on the special techniques used for recording outside the confines of the studio and shows readers how to interface with sound reinforcement equipment in the hall or club.



Recent developments in portable digital multitrack recorders and high-quality mixers have made on-location recording feasible for all recording engineers. Many bands want to be recorded in concert because they feel that is when they play their best music. The engineer's job is to capture that performance on tape and bring it back live and there's only one chance to get it right.
This book covers all aspects of live recording, with a special section on miking techniques for surround sound. Pre-session procedures, such as power and grounding practice, pre-production meetings, and site surveys are fully examined. On Location Recording Techniques also describes the paperwork required to plan a live recording session. A study of surround miking techniques for both classical and popular music, and of the components needed to build a quality remote recording truck complete this book.

part |1 pages

Part 1: Popular Music Recording

chapter 3|10 pages

Before the Session: Planning

chapter 4|10 pages

At the Session: Setup and Recording

chapter 5|7 pages

After the Session: Mixing and Editing

chapter 6|8 pages

Tips on Building a Recording Truck

part |1 pages

Part 2: Classical Music Recording and Stereo Microphone Techniques

chapter 8|12 pages

Overview of Stereo Microphone Techniques

chapter 9|25 pages

Stereo Imaging Theory

chapter 11|13 pages

Stereo Boundary-Microphone Arrays

chapter 12|19 pages

Binaural and Transaural Techniques

chapter 14|19 pages

Stereo Recording Procedures

chapter 16|15 pages

Stereo Microphones and Accessories