ABSTRACT

Archival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do vérité producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement?

Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them.

Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others.

chapter 1|12 pages

Introduction

part |2 pages

PART 1 Finding It

chapter 2|10 pages

What are archival materials?

chapter 3|26 pages

Finding what you need

chapter 4|10 pages

Should you hire a professional?

part |2 pages

PART 2 Using It

chapter 6|12 pages

Practical considerations

chapter 7|20 pages

Ordering what you need

chapter 8|14 pages

Creative considerations

part |2 pages

PART 3 Licensing It

chapter 11|30 pages

Introduction to rights and licenses

chapter 12|12 pages

The public domain

chapter 14|18 pages

Fair use

chapter 16|24 pages

Licensing visuals

chapter 17|18 pages

Licensing music

chapter 19|6 pages

Afterword