ABSTRACT

Radio Drama brings together the practical skills needed for radio drams, such as directing, writing and sound design, with media history and communication theory.
Challenging the belief that sound drama is a 'blind medium', Radio Drama shows how experimentation in radio narrative has blurred the dividing line between fiction and reality in modern media. Using extracts from scripts and analysing radio broadcasts from America, Britain, Canada and Australia, the book explores the practicalities of producing drama for radio. Tim Crook illustrates how far radio drama has developed since the first 'audiophonic production' and evaluates the future of radio drama in the age of live phone-ins and immedate access to programmes on the Internet.

part I|49 pages

Practise meets theory

chapter Chapter 2|3 pages

Radio drama as modernity

chapter Chapter 3|6 pages

The electrophone or théâtrophone

Broadcasting audio drama before the radio

chapter Chapter 6|4 pages

A technological time-line

part II|50 pages

Sound theory and practice

chapter Chapter 8|17 pages

Radio drama is not a blind medium

chapter Chapter 9|20 pages

Sound design vocabulary

chapter Chapter 10|12 pages

The cinematic and musical inspiration

part III|45 pages

The new radio drama form

chapter Chapter 11|10 pages

Blurring fiction with reality

chapter Chapter 12|6 pages

Radio drama panics

A cross-cultural phenomenon

chapter Chapter 14|8 pages

The War of the Worlds effect

Spoonface Steinberg?

chapter Chapter 15|5 pages

Spoonface Steinberg

Constructing the Holocaust as a means of identification

part IV|48 pages

The theory and practice of writing audio drama

chapter Chapter 16|32 pages

The writing agenda for audio drama

chapter Chapter 18|10 pages

Writing dialogue

part V|33 pages

Constructing the radio drama/documentary feature

chapter Chapter 19|12 pages

The phantom distinction

chapter Chapter 20|19 pages

Making the documentary feature

part VI|18 pages

The practice and theory of directing and performance

chapter Chapter 21|5 pages

Directorial responsibility

chapter Chapter 22|6 pages

Managing the production

chapter Chapter 23|5 pages

Experimental direction and performance