ABSTRACT

Physical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning.

In exploring the histories, cross-overs and intersections of physical theatres, this critical Reader provides:

  • six new, specially commissioned essays, covering each of the book’s main themes, from technical traditions to contemporary practises
  • discussion of issues such as the foregrounding of the body, training and performance processes, and the origins of theatre in both play and human cognition
  • a focus on the relationship and tensions between the verbal and the physical in theatre
  • contributions from Augusto Boal, Stephen Berkoff, Étienne Decroux, Bertolt Brecht, David George, J-J. Rousseau, Ana Sanchez Colberg, Michael Chekhov, Jeff Nuttall, Jacques Lecoq, Yoshi Oida, Mike Pearson, and Aristotle.

part Section 1|38 pages

Genesis, Contexts, Namings

chapter Essay 1|8 pages

Claire Heggen Goes Fishing

chapter Chapter 1|4 pages

My definition of theatre

chapter Chapter 2|5 pages

Altered States and Subliminal Spaces

Charting the Road Towards a Physical Theatre

chapter Chapter 3|5 pages

Performance epistemology

chapter Chapter 5|6 pages

Theatre, Human Beings

chapter Chapter 6|4 pages

Body Techniques

chapter Chapter 7|3 pages

Morality

part Section 2|70 pages

Roots: Routes

part A|42 pages

Deep Traditions: Classical and Popular

chapter Chapter 8|3 pages

The art of poetry

chapter Chapter 9|3 pages

The performer

chapter Chapter 10|3 pages

Irving

chapter Chapter 11|13 pages

Improvisation

Methods and models

chapter Chapter 12|9 pages

Lazzi

The comic routines of the Commedia dell'Arte

chapter Chapter 13|4 pages

A Jewel on the Nation's Arse

chapter Chapter 14|3 pages

Sport, the aesthetic and art

Further thoughts

chapter Chapter 15|2 pages

Goodbye note from Joan

part B|18 pages

Hybrid Pathways

chapter Chapter 16|4 pages

German Expressionist acting

chapter Chapter 17|3 pages

The theatre and the plague

chapter Chapter 19|3 pages

Surviving the performance

An interview with Franko B.

part Section 4|42 pages

Preparation and Training

chapter Essay 4|6 pages

Reframing the Journey

chapter Chapter 28|4 pages

Photo essay: Sports

Photographs by Étienne Bertrand Weill

chapter Chapter 30|3 pages

The articulate body

The physical training of the actor

chapter Chapter 31|6 pages

Movement Technique

chapter Chapter 32|3 pages

Circus and the actor

An interview with Hovey Burgess

chapter Chapter 33|3 pages

Moving

part Section 5|38 pages

Physicality and The Word

part Section 6|35 pages

Bodies and Cultures

chapter Chapter 40|6 pages

Introduction

Towards a theory of interculturalism in theatre

chapter Chapter 41|4 pages

Pre-Expressivity

chapter Chapter 42|3 pages

The World As a Can Opener

chapter Chapter 43|3 pages

What is Art?

chapter Chapter 44|7 pages

Orientalism Now