ABSTRACT
First Published in 2000. Nearly everyone who addresses T. S. Eliot's imaginative and critical work must acknowledge the importance of music in thematic and formal terms. This collection of original essays thoroughly explores this aspect of his work from a number of perspectives.
TABLE OF CONTENTS
part I|107 pages
Eliot and Popular Musical Culture
chapter Chapter 1|22 pages
A Jazz-Banjorine, Not a Lute
Eliot and Popular Music before The Waste Land
part II|38 pages
You Are the Music
part III|194 pages
Eliot and the Composers
chapter Chapter 8|30 pages
The Pattern from the Palimpsest
Convergences of Eliot, Tippett, and Shakespeare
chapter Chapter 10|19 pages
“My God, What Has Sound Got to Do with Music?!”
Interdisciplinarity in Eliot and Ives
