ABSTRACT
Today's education and communications media are seen to be the main cause of the anonymity of contemporary music and suggestions are made to improve this situation. Leigh Landy investigates audio-visual applications that have hardly been explored, new timbres and sound sources, the discovery of musical space, new notations, musical politics, and the 'musical community' in an attempt to incite more composers, musicians and musicologists to get this music out into the works and to stimulate the creation of new experimental works.
TABLE OF CONTENTS
part |2 pages
Part 1 - Introduction
part |2 pages
Part 2 - Four Extra-Musical Subjects of Relevance
part |2 pages
Part 3 - Status Report: Advances within Experimental Music
part |2 pages
Part 4 - Contemporary Music Today
part |2 pages
Part 5 - Conclusion
part |2 pages
Part 6 - Work Descriptions and Cues for The Listener