ABSTRACT

The Photography Handbook provides an introduction to the principles of photographic practice and theory and offers guidelines for the systematic study of photographic media. It explores the history of lens-based picture making and examines the mediums' characteristics, scope and limitations.

Equipping the reader with a vocabulary for photographic phenomena and helping develop visual awareness and visual literacy, The Photography Handbook will enable students to familiarize themselves with current theoretical viewpoints and to evolve critical frameworks for their own photographic practice.

The Photography Handbook includes:

* an analysis of photographic theory
* an introduction to conceptual skills necessary for photography
* the historical background and rationale for photographic representation
* the camera as a documentary tool
* interviews with editors, photographers, picture editors and readers
* the effect of new technologies on photographic practice and an exploration of the shift from analogue to digital imagery
* over seventy images.

chapter |7 pages

Introduction

chapter |16 pages

Vision and representation

chapter |4 pages

Avant-garde practice

chapter 2|17 pages

Pre-production

The aesthetics of photography

chapter |6 pages

Visualisation

chapter |9 pages

Camera angle

chapter 3|16 pages

The photographic image

chapter 4|29 pages

Post-production

chapter 5|5 pages

The documentary photograph

The photograph as a document

chapter |12 pages

Case study: The Guardian assignment

chapter 6|11 pages

Photography as a cultural critique

From ‘unconcerned’ photographs to concerned photographers

chapter |5 pages

The cultural chasm

chapter 7|7 pages

Characteristics of digital photography

chapter |15 pages

Changes to photography by digital imagery

chapter 8|3 pages

Conclusion

chapter |1 pages

Notes

chapter 2|1 pages

Pre-production

chapter 5|1 pages

The documentary photograph