This book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. Exploring a range of films about the Spanish, Irish, former Yugoslavia, and Greek civil wars, this comparative and interdisciplinary study engages with contemporary debates in cultural memory and investigates the ways in which cinematic postmemory is problematic. Many of the films present an idealized past that glosses over the reality of these civil wars, at times producing a nostalgic discourse of loss and longing. Other films engage with the past in a melancholic fashion. These cinematic discourses articulate contemporary concerns, especially the loss of ideology and a utopian political horizon in the aftermath of the collapse of the Soviet bloc in 1989, a date that marks a significant break in European history and an accompanying paradigm shift in European cultural memory.

Filmmakers examined include Trueba, Cuerda, Loach, Jordan, Kusturica, Dragojević, and Angelopoulos.

chapter |4 pages


chapter |16 pages

Collective and Cultural Memory and Their Limitations

Postmemory and Cinematic Modes of Representations

chapter |45 pages

The Spanish Civil War

Cinematic Postmemories of the ‘Last Great Cause’

chapter |26 pages

Cinematic Representations of the Irish Civil War

Michael Collins and the Wind That Shakes The Barley

chapter |25 pages

Cinematic Representations of the Former Yugoslavian Civil War

Underground and No Man's Land

chapter |29 pages

Representation of the Greek Civil War in Theo Angelopoulos's

The Travelling Players

chapter |8 pages