ABSTRACT

From Inception to The Lake House, moviegoers are increasingly flocking to narratologically complex puzzle films. These puzzle movies borrow techniques—like fragmented spatio-temporal reality, time loops, unstable characters with split identities or unreliable narrators—more commonly attributed to art cinema and independent films. The essays in Hollywood Puzzle Films examine the appropriation of puzzle film techniques by contemporary Hollywood dramas and blockbusters through questions of narrative, time, and altered realities. Analyzing movies like Source Code, The Butterfly Effect, Donnie Darko, Déjà Vu, and adaptations of Philip K. Dick, contributors explore the implications of Hollywood's new movie mind games.

chapter |14 pages

Introduction

Ambiguity, ontological pluralism, and cognitive dissonance in the hollywood puzzle film

section one|39 pages

Narratology and systems theory

chapter one|18 pages

Complex narratives

section two|85 pages

Inception, the archetypal hollywood puzzle film

chapter three|15 pages

Unraveling the puzzle of inception

chapter four|17 pages

‘Show, don't tell'

Considering the utility of diagrams as a tool for understanding complex narratives

chapter five|20 pages

‘Pain is in the mind'

Dream narrative in inception and shutter island

chapter six|16 pages

Modular spacetime in the ‘intelligent' blockbuster

Inception and source code

section three|73 pages

The science fiction hollywood puzzle film

chapter nine|20 pages

Fourth dimensions, seventh senses

The work of mind-gaming in the age of electronic reproduction

chapter ten|13 pages

Source code's video game logic

chapter eleven|16 pages

The image of time in post-classical hollywood

Donnie darko and southland tales

section four|82 pages

The drama hollywood puzzle film

chapter twelve|16 pages

Re-viewing vantage point

chapter thirteen|32 pages

Butterfly effects upon a spectator

chapter fourteen|14 pages

Solving suicide

Facing the complexity of the hours