ABSTRACT

The Routledge Drama Anthology and Sourcebook is a groundbreaking compilation of the key movements in the history of modern theatre, from the late Nineteenth Century to contemporary performance practice.

Each of the book’s five sections comprises a selection of plays and performance texts that define their period, reproduced in full and accompanied by key theoretical writings of performers and critics that inform and contextualise their reading. Substantial introductions from experts in the field also provide these sections with an overview of the works and their significance.

The works span :

    • Naturalism and Symbolism
    • The Historical Avant-Garde
    • Early Political Theatre
    • The Performance of Ideology
    • Contemporary Performance

This textbook provides an unprecedented collection of comprehensive resource materials which will facilitate in-depth critical analysis. It enables a dialogue between Chekhov, Strindberg, Lorca, Marinetti and Artaud, Brecht, Churchill, Fornes, Ravenhill and Gómez-Peňa, amongst many other key practitioners.

part |3 pages

Part 1: Naturalism and Symbolism: Early Modernist Practice

chapter |19 pages

Introduction – Dan Rebellato

chapter 1|26 pages

Thérèse Raquin (Émile Zola)

chapter 2|17 pages

Miss Julie (August Strindberg)

chapter 3|30 pages

Three Sisters (Anton Chekhov)

chapter 4|22 pages

When We Dead Awaken (Henrik Ibsen)

chapter 5|6 pages

Interior (Maurice Maeterlinck)

chapter 6|12 pages

Naturalism in the Theatre (Émile Zola)

chapter 7|9 pages

Preface to Miss Julie (August Strindberg)

chapter 8|6 pages

A New Art of the Stage (Arthur Symons)

chapter 9|5 pages

The Modern Drama (Maurice Maeterlinck)

part |3 pages

Part 2: The Historical Avant-Garde: Performance and Innovation

chapter |21 pages

Introduction – Maggie B. Gale

chapter 1|16 pages

King Ubu (Alfred Jarry)

chapter 3|3 pages

The Spurt of Blood (Antonin Artaud)

chapter 6|2 pages

Feet (Filippo Tommaso Marinetti)

chapter 8|17 pages

The Public (Federico García Lorca)

chapter 12|3 pages

Futurist Scenography (Enrico Prampolini)

part |3 pages

Part 3: Early Political Theatres

chapter 2|47 pages

Hoppla, We’re Alive! (Ernst Töller)

chapter 4|28 pages

E5mc² (Hallie Flanagan Davis)

chapter 5|14 pages

Johnny Noble (Ewan MacColl)

chapter 8|6 pages

The Street Scene (Bertolt Brecht)

chapter 10|6 pages

Rehabilitating Realism (Sheila Stowell)

chapter 11|10 pages

The Author as Producer (Terry Eagleton)

part |4 pages

Part 4: Ideology and Performance/The Performance of Ideology

chapter |23 pages

Introduction – John F. Deeney

chapter 1|38 pages

Blues for Mister Charlie (James Baldwin)

chapter 3|18 pages

Enter the Night (Marie Irene Fornes)

chapter 4|7 pages

Far Away (Caryl Churchill)

chapter 5|13 pages

Scenes from Family Life (Mark Ravenhill)

part |4 pages

Part 5: Contemporary Performance/The Contemporaneity of Practice

chapter 4|19 pages

The Story of M (SuAndi)

chapter 6|8 pages

Myth Today (Roland Barthes)

chapter 9|13 pages

Dramaturgy and Montage (Eugenio Barba)