ABSTRACT

Renaissance Drama By Women is a unique volume of plays and documents. For the first time, it demonstrates the wide range of theatrical activity in which women were involved during the Renaissance period. It includes full-length plays, a translated fragment by Queen Elizabeth I, a masque, and a substantial number of historical documents. With full and up-to-date accompanying critical material, this collection of texts is an exciting and invaluable resource for use in both the classroom and research.
Special features introduced by the editors include:
* introductory material to each play
* modernized spellings
* extensive notes and annotations
* biographical essays on each playwright
* a complete bibliography
Methodically and authoritatively edited by S.P. Cerasano and Marion Wynne-Davies, Renaissance Drama by Women is a true breakthrough for the study of women's literature and performance.

part |2 pages

Part I Texts

chapter |4 pages

Introduction

chapter 1|6 pages

Elizabeth I, Hercules Oetaeus (n.d.)

chapter 2|30 pages

Mary Sidney, The Tragedy of Antonie (1595)

chapter 4|15 pages

Robert White, Cupid's Banishment (1617)

chapter 5|36 pages

Mary Wroth, Love's Victory (c. 1621)

part |2 pages

Part II Documents

chapter |4 pages

Introduction

chapter 8|4 pages

Women as Spectators

chapter 9|5 pages

Women Performing

chapter 10|3 pages

Women in Theatrical Affairs

chapter |50 pages

Notes

chapter |7 pages

Bibiliography