ABSTRACT

Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies.
The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include:
* Studying Ripley and the 'Alien' films
* Pedagogy and Political Correctness in Martial Arts cinema
* Judy Garland fandom on the net
* Stardom and serial fantasies: Thomas Harris's 'Hannibal'
* Tom Hanks and the globalization of stars
* Queer Bollywood
* Jackie Chan and the Black connection
* '12 Monkeys', postmodernism and urban space.

chapter |30 pages

Introduction

part |2 pages

Part I Woman as inter/national sign

chapter |2 pages

Introduction

chapter 1|17 pages

“You’ve been in my life so long I can’t remember anything else”

Into the labyrinth with Ripley and the Alien

chapter 2|20 pages

Warrior Marks

Global womanism’s neo-colonial discourse in a multicultural context

chapter 3|10 pages

“Daddy, where’s the FBI warning?”

Constructing the video spectator

chapter 4|16 pages

Romance and/as tourism

Heritage whiteness and the (inter)national imaginary in the new woman’s film

chapter 5|17 pages

Race as spectacle, feminism as alibi

Representing the civil rights era in the 1990s

part |2 pages

Part II New constellations: stars

chapter |2 pages

Introduction

chapter 6|18 pages

Judy on the net

Judy Garland fandom and “the gay thing” revisited

chapter 8|12 pages

Stardom and serial fantasies

Thomas Harris’s Hannibal

chapter 9|16 pages

Learning from Bruce Lee

Pedagogy and political correctness in martial arts cinema

chapter 10|16 pages

“Waas sappening?”: narrative structure and iconography in Born in East L.A

Narrative structure and iconography in Born in East L.A.

part |2 pages

Part III Moving desires

chapter |2 pages

Introduction

chapter 11|21 pages

The voice of pornography: tracking the subject through the sonic spaces of gay male moving-image pornography

Tracking the subject through the sonic spaces of gay male moving- image pornography

chapter 14|21 pages

Devouring creation: cannibalism, sodomy, and the scene of analysis in Suddenly, Last Summer

Cannibalism, sodomy, and the scene of analysis in Suddenly,

chapter 15|19 pages

Queer Bollywood, or “I’m the player, you’re the naive one”: patterns of sexual subversion in recent Indian popular cinema

Patterns of sexual subversion in recent Indian popular cinema Introduction: pelvic thrust, fluid terrain

part |2 pages

Part IV Production notes

chapter |2 pages

Introduction

chapter 17|21 pages

12 Monkeys, postmodernism, and the urban

Toward a new method

chapter 18|10 pages

Terminator technology

Hollywood, history, and technology

chapter 19|16 pages

“Compulsory” viewing for every citizen: Mr. Smith

and the rhetoric of reception

chapter 20|18 pages

Standardizing professionalism and showmanship

The performance of motion picture projectionists during the early sync-sound era

chapter 21|18 pages

States of emergency

To flourish in defiance