ABSTRACT

This is the only book to provide an account of how popular theatre developed from the fairground booths of the eighteenth century to become a vehicle of mass entertainment in the following century. Whereas other studies offer a traditional approach to the theatres of high culture, John McCormick takes the role of impartial historian, uncovering the popular theatres of the boulevards, suburbs and fairgrounds. He focuses on the social and economic context in which vaudevilles, pantomimes and melodramas were performed, and explores the audiences who enjoyed them.

chapter |10 pages

INTRODUCTION

part |2 pages

Part I

chapter 1|15 pages

LES THEATRES SECONDAIRES

chapter 2|17 pages

EQUESTRIANS AND ACROBATS

chapter 4|18 pages

‘FORAINS’ AND FIT-UPS

chapter 5|13 pages

AUDIENCES

chapter 6|10 pages

ECONOMICS AND ECONOMIC PROBLEMS

chapter 7|12 pages

CENSORSHIP

part |2 pages

Part II

chapter 8|21 pages

THE VAUDEVILLE

chapter 9|14 pages

PANTOMIME

chapter 10|9 pages

THE FEERIE

chapter 11|23 pages

THE EARLY MELODRAMA

chapter 12|21 pages

THE SOCIAL MELODRAMA

chapter 13|23 pages

POPULAR FICTION AND THE THEATRE