ABSTRACT

In this passionate and controversial work, director and critic Rustom Bharucha presents the first major critique of intercultural theatre from a 'Third World' perspective.
Bharucha questions the assumptions underlying the theatrical visions of some of the twentieth century's most prominent theatre practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. He contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics. And he presents a detailed dramaturgical analysis of what he describes as an intracultural theatre project, providing an alternative vision of the possibilities of true cultural pluralism.
Theatre and the World bravely challenges much of today's 'multicultural' theatre movement. It will be vital reading for anyone interested in the creation or discussion of a truly non-Eurocentric world theatre.

chapter |10 pages

Introduction

part |2 pages

Part I Points of departure

chapter 1|30 pages

Collision of cultures

chapter 2|12 pages

Goodbye Grotowski

chapter 3|14 pages

The theatre of migrants

part |2 pages

Part II Transition

chapter 5|4 pages

The Request Concert project: foreword

chapter 6|18 pages

Request Concert in Calcutta

chapter 7|16 pages

Request Concert in Bombay

chapter 8|22 pages

Request Concert in Madras

chapter 9|14 pages

Retrospect

part |2 pages

Part III Returning

chapter 10|26 pages

Preparing for Krishna

chapter 11|20 pages

Notes on the invention of tradition

chapter 12|10 pages

Letter to an actress

chapter 13|20 pages

Ninasam: a cultural alternative