ABSTRACT

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation.<BR> Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

chapter |20 pages

Introduction

chapter |1 pages

Note on the Text

chapter 1|4 pages

Ben Jonson on Shakespeare

I623, c. I630

chapter 2|3 pages

Leonard Digges, commendatory verses

chapter 3|1 pages

Abraham Wright on Othello and Hamlet

c. 1655

chapter 4|3 pages

Samuel Pepys on Shakespeare in the theatre

1660–9

chapter 6|3 pages

Margaret Cavendish on Shakespeare's wit

1662

chapter 10|5 pages

John Dryden, from An Essay of Dramatick Poesie

1668

chapter 11|2 pages

John Dryden?, prologue to Julius Cæsar

1672

chapter 12|11 pages

John Dryden on the Jacobean dramatists

1672

chapter 14|23 pages

John Dryden, from All For Love

1677

chapter 15|11 pages

Thomas Rymer, from The Tragedies of the Last Age

1677

chapter 16|8 pages

John Dryden, Heads of an Answer to Rymer

c. 1677

chapter |20 pages

Nahum Tate, from his adaptation of Richard II

1680

chapter 22|3 pages

Nahum Tate on Shakespeare's learning

1680

chapter 23|43 pages

Nahum Tate, from his adaptation of King Lear

1681

chapter 24|21 pages

Nahum Tate, from his adaptation of Coriolanus

1682

chapter 25|7 pages

Thomas D'Urfey, from his adaptation of Cymbeline

1682

chapter 26|3 pages

Robert Gould, from The Play-House. A Satyr

1685