ABSTRACT

Meeting the challenge of teaching multiculturalism
Students-and their teachers-encountering literature and arts from unfamiliar cultures will welcome the special help this book provides. Instructors who are unfamiliar with Asian Pacific cultures are now being asked to explain a reference to the Year of the Rat, Obon Season, or to interpret a haiku. When Amy Tan refers to the Moon Lady or the Kitchen God, what does she mean? Is Confucianism actually a religion? This book answers these and many other questions, for students, teachers, and the librarians to whom they turn for help.

Provides sound information on in-demand topics
The Companion presents lengthy articles-written specifically for this book-on the topics that unlock the work of a number of contemporary Asian Pacific American writers and artists, for example: Asian naming systems, the "model minority" discourse, Chinese diaspora, Filipino American values, the Confucian family and its tensions, Japanese internment, Mao's Great Cultural Revolution, the Korean alphabet, food and ethnic identity, religious traditions, Fengshui and Chinese medicine, Filipino folk religion, Hmong needlework, and reading Asian characters in English, just to name a few.

Covers major contemporary writers
The articles are coupled with in-depth studies of the authors most likely to be part of the multicultural curriculum during the next decade, among them Maxine Hong Kingston, Frank Chin, Amy Tan, Younghill Kang, Carlos Bulosan, Jessica Hagedorn, Lawson Fusao Inada, Garret Hongo, David Henry Hwang, Kim Ronyoung, and Cathy Song.

Expert contributors
This volume was created under the supervision of distinguished Advisory Editors from the Asian Pacific American community. The contributors, a Who's Who of Asian Pacific American humanistic scholarship, are frequently the founders of their disciplines, and most are from the ethnic group being written about.

Helps students understand arts and literature
Multicultural courses are generally taught by exposing students to literature or arts, with reference to their political, sociological, and historical contexts. This book is designed to help students reading novels, watching films, and confronting artworks with information needs quite different from those of social scientists and historians.

part I|37 pages

Fundamentals

chapter 1|11 pages

Reading Asian Characters in English

Why “Chou” and “Zhou” are the same Word, and they are Both Pronounced “Joe”: The Perils of Reading Chinese, Japanese, and Korean Characters Transliterated into English; with Notes on Vietnamese and Thai

chapter 2|13 pages

Characters: The Asian Ideogram Systems

An Invitation for Beginning Students

chapter 3|6 pages

Asian Naming Systems

Is Du Xiao Bao Mr. Du or Mr. Bao? Chinese, Japanese, Korean Vietnamese, and Southeast Asian Naming Systems

chapter 4|3 pages

The “Model Minority” Discourse

part II|130 pages

The Family and the Self

chapter 5|25 pages

Confucius and the Asian American Family

A Personal View

chapter 6|17 pages

My Grandfather's Concubines

A First-Generation Woman Remembers Life in Peking

chapter 8|5 pages

The Nisei Go to War

The Japanese American 442nd Regimental Combat Team

chapter 9|4 pages

Being Nisei

Reflections on the Second Generation of Japanese Americans. “Building the Nisei-Style House” A Guide for Sansei

chapter 10|3 pages

Being Sansei

Reflections on the Third Generation of Japanese Americas.

chapter 11|12 pages

First-Generation Memories

One Filipina's Story

chapter 12|3 pages

Filipino American Values

chapter 13|7 pages

Korean American One-Point-Five

chapter 14|18 pages

The Lizard Hunter

My Life as a Vietnamese Girl

part III|128 pages

Roots, Traditions, and Asian Pacific Life

chapter 15|9 pages

Food and Ethnic Identity

Theory

chapter 16|8 pages

Chinese Food

chapter 17|8 pages

Japanese Food

chapter 18|2 pages

Filipino Food

chapter 19|7 pages

Korean Food

chapter 20|5 pages

Vietnamese Food

chapter 21|6 pages

Southeast Asian Food

The Durian and Beyond

chapter 22|10 pages

Tea

chapter 25|3 pages

Obon Season in Little Tokyo

The Persistence of Community

chapter 27|26 pages

Maoism and Surviving the Great Proletarian Cultural Revolution

My Personal Experiences from 1966 to 1976

part IV|34 pages

Asian Pacific Culture

chapter 28|12 pages

The Chinese Diaspora

A Selection from the Work of Evelyn Hu-Dehart *

chapter 29|5 pages

The Arrival of the Asians in California

The Six Companies

chapter 31|8 pages

Chinatown, 1899

part V|216 pages

Literature

chapter 32|18 pages

Dialect, Standard, and Slang

Sociolinguistics and Ethnic American Literature

chapter 34|6 pages

Roots

The Journey to the West

chapter 35|7 pages

Roots

Japanese Haiku and Matsuo Basho

chapter 36|3 pages

The Beginnings of Chinese Literature in America

The Angel Island Poems: Two poems by Xu of Xiangshan

chapter 39|10 pages

Asian American Literature

The Canon and the First Generation

chapter 40|3 pages

First-Generation Writings

Younghill Kang and Carlos Bulosan

chapter 42|4 pages

Frank Chin

First Asian American Dramatist

chapter 43|8 pages

Maxine Hong Kingston

chapter 45|8 pages

David Henry Hwang

chapter 47|10 pages

Jessica Hagedorn

An Interview with a Filipina Novelist

chapter 48|6 pages

Lawson Fusao Inada

Japanese American Poet

chapter 49|2 pages

Garret Hongo

An Interview with a Hawaiian Japanese American Poet

chapter 50|11 pages

The Literature of Korean America

chapter 51|7 pages

The Korean American Novel

Kim Ronyoung

chapter 52|2 pages

Discovering Korean American Literature

The Manuscript of Clay Walls

chapter 53|4 pages

Clay Walls

The Great Korean American Novel

chapter 54|6 pages

Cathy Song and the Korean American Experience in Poetry

Peering through “Frameless Windows, Squares of Light”

part VI|71 pages

The Arts

chapter 55|5 pages

Chinese Opera

chapter 56|11 pages

Bernardo Bertolucci and the Westernization of The Last Emperor

A Conversation with Bernardo Bertolucci's Advisor, The Emperor's Grand Tutor's Son, Leo Chen

chapter 57|18 pages

A Viewer's Guide to Wayne Wang's Dim Sum

An Interview with its Star and Co-Screenwriter, Laureen Chew

chapter 58|5 pages

Asian American Visual Arts

An Interview with Betty Kano

chapter 59|15 pages

Story Cloths

The Hmong, The Mien, And the Making of an Asian American Art

chapter 60|4 pages

Toi Hoang

Painting and Healing

chapter 61|7 pages

First-Generation Painting

Conversation Among Hung Liu, George J.Leonard, And Jeff Kelley