ABSTRACT

Few have had quite as much impact in both the academy and in the world of theatre production as Richard Schechner. For more than four decades his work has challenged conventional definitions of theatre, ritual and performance. When this seminal collection first appeared, Schechner's approach was not only novel, it was revolutionary: drama is not just something that occurs on stage, but something that happens in everyday life, full of meaning, and on many different levels. Within these pages he examines the connections between Western and non-Western cultures, theatre and dance, anthropology, ritual, performance in everyday life, rites of passage, play, psychotherapy and shamanism.

chapter 1|25 pages

APPROACHES

THE CAMBRIDGE ANTHROPOLOGISTS

chapter 2|40 pages

ACTUALS

chapter 3|46 pages

DRAMA, SCRIPT, THEATER, AND PERFORMANCE

chapter 4|58 pages

From ritual to theater and back: the efficacy– entertainment braid

PERFORMANCE RHYTHMS

chapter 5|41 pages

TOWARD A POETICS OF PERFORMANCE

HUNTING CIRCUITS, CEREMONIAL CENTERS, AND THEATERS

chapter 6|24 pages

SELECTIVE INATTENTION

RELATIONSHIP BETWEEN SOCIAL AND AESTHETIC DRAMA

chapter 7|55 pages

ETHOLOGY AND THEATER

ANIMAL–HUMAN PERFORMANCE CONTINUITIES

chapter 8|43 pages

MAGNITUDES OF PERFORMANCE

A FIGURE FOR ALL GENRES

chapter 9|50 pages

RASAESTHETICS