ABSTRACT

Rewriting the Self is an exploration of ideas of the self in the western cultural tradition from the Renaissance to the Present. The contributors analyse differing religious, philosophical, psychological, political, psychoanalytical and literary models of personal identity. They examine these models from a number of viewpoints, including the history of ideas, contemporary gender politics, and post-modernist literary theory.
Rewriting the Self offers a challenge to the received version of the 'ascent of western man'. Lively and controversial, the book broaches big questions in an accessible way.
Rewriting the Self arises from a seminar series held at the Institute of Contemporary Arts in London. The contributors include prominent academics from a range of disciplines.

chapter |14 pages

INTRODUCTION

part |2 pages

Part I RENAISSANCE AND EARLY MODERN

part |2 pages

Part II ENLIGHTENMENT

chapter 7|22 pages

‘ANOTHER SELF IN THE CASE’

Gender, marriage and the individual in Augustan literature

chapter 8|14 pages

FEELINGS AND NOVELS

part |2 pages

Part III ROMANTICISM

chapter 9|21 pages

ROMANTIC TRAVEL

chapter 10|11 pages

‘…AS A RULE, I DOES NOT MEAN I’

Personal identity and the Victorian woman poet

chapter 11|19 pages

MAPPING THE SELF: GENDER, SPACE AND MODERNITY IN MID-VICTORIAN LONDON

Gender, space and modernity in mid- Victorian London

chapter 12|15 pages

STORIES OF THE EYE

part |2 pages

Part IV MODERN AND POSTMODERN

chapter 13|21 pages

THE MODERN AUDITORY I

chapter 14|25 pages

ASSEMBLING THE MODERN SELF

chapter 15|13 pages

DEATH AND THE SELF

chapter 16|8 pages

SELF-UNDOING SUBJECTS