ABSTRACT

This volume offers a unique contribution to both postcolonial studies and Austen scholarship by:

* examining the texts to illumine nineteenth century attitudes to colonialism and the expanding Empire
* revealing a new range of interpretations of Austen's work, each shaped by the critic's particular context
* exploring the ways in which the study of Austen's novels raises fresh issues for post-colonial criticism.

Bringing together work by highly-respected critics from four continents and a range of disciplines, this newly paperbacked volume allows sometimes surprising and always fascinating new insights into some of the most frequently studied - and best loved - novels in the English language.

part |25 pages

Introduction

chapter |23 pages

Austen in the world

Postcolonial mappings

part |112 pages

Austen at home

chapter |27 pages

Jane Austen goes to the seaside

Sanditon, English identity and the ‘West Indian' schoolgirl

chapter |19 pages

Austen's treacherous ivory

Female patriotism, domestic ideology, and Empire

chapter |23 pages

Domestic retrenchment and imperial expansion

The property plots of Mansfield Park

chapter |23 pages

Of windows and country walks

Frames of space and movement in 1990s Austen adaptations

part |95 pages

Austen abroad

chapter |22 pages

Reluctant Janeites

Daughterly value in Jane Austen and Sarat Chandra Chatterjee's Swami

chapter |26 pages

Jane Austen goes to India

Emily Eden's semi-detached home thoughts from abroad

chapter |16 pages

Farewell to Jane Austen

Uses of realism in Vikram Seth's A Suitable Boy

chapter |13 pages

Father's daughters

Critical realism examines patriarchy in Jane Austen's Pride and Prejudice and Pak Wansǒ's A Faltering Afternoon [Hwichǒngkǒrinǔn Ohu]