ABSTRACT

Capture great sound in the first place, and spend less time "fixing it in the mix" with Ian Corbett’s Mic It! Microphones, Microphone Techniques, and Their Impact on the Final Mix. With his expert guidance, you’ll quickly understand essential audio concepts as they relate to microphones and mic techniques, and learn how to apply them to your recording situation. Whether you only ever buy one microphone, are equipping a studio on a budget, or have a vast selection of great mics to use, you’ll learn to better use whatever tools you have. Mic It! gives you the background to design and discover your own solutions to record the best sound possible. The information in these pages will help you record great source tracks that can be easily developed into anything from ultra-clean mixes to huge, organic soundscapes.

Beginning with essential audio theory, then discussing the desirable characteristics of good sound and the elements of a good stereo recording, the book covers microphones, mono and stereo mic techniques, the effect of the recording space or room, and large classical and jazz ensemble recording. A variety of mic techniques for vocals and instruments (both individual and groups) are presented, ranging from vital knowledge that no novice should be without, to advanced techniques that more experienced engineers can explore to benefit and vary the sound of their recordings. Corbett explains large room vs. layer-by-layer small-room recording situations, presents the best techniques for each, and shares typical production challenges and their resolutions. The book provides in depth information on how different mic techniques can be used, modified and fine-tuned to capture not only the best sound, but the best sound for the mix, as well as how to approach and set up the recording session, mixing, and avoid common recording and mixing mistakes.

chapter 1|38 pages

Audio Basics

chapter 2|24 pages

“Good Sound”

chapter 3|36 pages

About Microphones…

chapter 4|14 pages

EQ Basics

chapter 5|12 pages

Stereo Imaging

chapter 6|18 pages

Stereo Microphone Arrays

chapter 7|16 pages

The Effect of Microphone Position

chapter 8|14 pages

The Recording Room

chapter 9|20 pages

Recording Vocals

chapter 10|20 pages

Drum Miking

chapter 11|24 pages

Guitars, Basses, and Keyboards

chapter 12|16 pages

Strings, Winds, Brass, and Percussion

chapter 13|16 pages

Beyond the Basics

chapter 14|14 pages

Setting Up the Studio

chapter 15|20 pages

Miking Large Ensembles

chapter 16|14 pages

Putting it All Together

chapter 17|18 pages

Tips from the Professionals…