ABSTRACT

The Routledge Handbook of the Sociology of Arts and Culture offers a comprehensive overview of sociology of art and culture, focusing especially – though not exclusively – on the visual arts, literature, music, and digital culture. Extending, and critiquing, Bourdieu’s influential analysis of cultural capital, the distinguished international contributors explore the extent to which cultural omnivorousness has eclipsed highbrow culture, the role of age, gender and class on cultural practices, the character of aesthetic preferences, the contemporary significance of screen culture, and the restructuring of popular culture. The Handbook critiques modes of sociological determinism in which cultural engagement is seen as the simple product of the educated middle classes. The contributions explore the critique of Eurocentrism and the global and cosmopolitan dimensions of cultural life. The book focuses particularly on bringing cutting edge ‘relational’ research methodologies, both qualitative and quantitative, to bear on these debates. This handbook not only describes the field, but also proposes an agenda for its development which will command major international interest.

part |18 pages

Contemporary challenges for the sociology of art and culture

part |172 pages

Bourdieu's legacy and new perspectives for the sociology of art and culture

chapter |28 pages

Contesting culture

Bourdieu and the strong program in cultural sociology

chapter |13 pages

The cultural omnivore thesis

Methodological aspects of the debate

chapter |14 pages

After omnivorousness

Is Bourdieu still relevant?

chapter |12 pages

A critique of the omnivore

From the origin of the idea of omnivorousness to the Latin American experience

chapter |12 pages

Genre

Relational approaches to the sociology of music 1

chapter |17 pages

Getting beyond the surface

Using geometric data analysis in cultural sociology

part |113 pages

The fabric of aesthetics

chapter |8 pages

From sociology of culture to sociology of artistic producers

How to become a contemporary artist

chapter |12 pages

Avant-garde artworks, artists and mediators

A state of relationships

chapter |13 pages

Learning how to think, and feel, about contemporary art

An object relational aesthetic for sociology

chapter |15 pages

Adjusting field theory

The dynamics of settler-colonial art fields

chapter |15 pages

The world market of translation in the globalization era

Symbolic capital and cultural diversity in the publishing field

chapter |13 pages

The biennalization of art worlds

The culture of cultural events

part |166 pages

The complexity of cultural classifications

chapter |12 pages

Cultural dissonances

The social in the singular

chapter |13 pages

The multiplicity of highbrow culture

Taste boundaries among the new upper middle class

chapter |14 pages

‘There's something fundamental about what makes you laugh.'

Comedy as an aesthetic experience

chapter |13 pages

Researching social analytics

Cultural sociology in the face of algorithmic power

chapter |13 pages

The rising power of screens

Changing cultural practices in France, from 1973 to 2008

chapter |12 pages

Contesting the highbrow and lowbrow distinction

How Latin American scholars engage in cross-cultural debates