ABSTRACT

"These essays on representative Jewish and Irish writers are true to the form's definition as an attempt or experiment rather than a credo. Wohlgelernter defines the author's ""excited imagination"" by thoroughgoing analysis of the work's constituent parts. He gives particular emphasis to the author's own words and expressions, those verbal inventions that linger in the mind long after the act of reading or criticism. He finds a passionate love of words and language forging a powerful link between Jewish and Irish literature, rooted as they are in similar historical experience. Both literatures engage the human struggle with life and death, virtue and weakness, success and failure, dreams and nightmares, all under the constant surveillance of tradition.Wohlgelernter divides his book into four general categories: the Holocaust, Jewish-American writers, Irish writers, and memoirs and autobiography. His chapters on Holocaust literature engage a range of literary perspectives that combine memoir, journalism, fiction, and philosophical reflection in the writings of Ladislas Fuks, Lucy Dawidowicz, Sabine Reichel, and Primo Levi. Chapters on postwar Jewish writers including Saul Bellow, Bernard Malamud, and Philip Roth explore the ambivalences of assimilation with its encroachments of a provincial past and dissatisfactions with mainstream culture. Wohlgelernter notes how all yoke street raciness and high cultural mandarin in a distinctive contribution to American prose style. A similar richness of language and preoccupation with the political and cultural claims of the past characterize the chapters on the great short story writer Frank O'Connor, the playwright Brendan Behan, and the Irish-American journalist and novelist Pete Hamill.The last decades of the twentieth century have seen a prolific outpouring of autobiographical writing, and in the concluding section of the book the author treats representative examples that amplify or reflect on the personal an"

part 1|48 pages

Down There

chapter 1|4 pages

Silent Preparation

chapter 2|13 pages

One, by One, by One … And Counting

chapter 3|20 pages

Facing Medusa Without Mirrors

chapter 4|8 pages

Down There

part 2|56 pages

Literate, Liberatize, Liberate

chapter 6|12 pages

Blood Libel—Fact and Fiction

chapter 7|16 pages

Life and Counterlife

chapter 8|10 pages

Of Fathers and Artichokes

chapter 9|8 pages

Cantorial Mi Mi Mi’s

part 3|26 pages

The Cause that Called You

chapter 10|11 pages

A Portrait of the Artist as an Only Child

chapter 11|3 pages

Of the Sane and the Insane

chapter 12|8 pages

Golem Redux

part 4|52 pages

Life Studies

chapter 13|9 pages

A Letter to a Harvard Divinity Student

chapter 14|6 pages

Of Messages and Their Messenger

chapter 15|6 pages

A Bodyguard of Lies

chapter 16|16 pages

The Norman Conquest and the Schoolteacher

chapter 17|12 pages

Watercoloring