ABSTRACT

This collection offers a fresh approach to the work of Cormac McCarthy, one of the most important contemporary American authors. Essays focus on his work across the genres and/or in constellation with other writers and artists, presenting not only a different "angle" on the work, but setting him within a broader literary and artistic context. Such an approach offers a view of McCarthy that is strikingly different to previous collections that have dealt with the work in an almost exclusively "single author" and/or "single genre" mode. McCarthy’s novels are increasingly regarded as amongst the most rich, the most complex, and the most insightful of all recent literary responses to prevailing conditions in both the USA and beyond, and this collection recognizes the intertextual and interdisciplinary nature of his work. Contributors draw back the curtain on some of McCarthy’s literary ancestors, revealing and analyzing some of the fiction’s key contemporary intertexts, and showing a complex and previously underestimated hinterland of influence. In addition, they look beyond the novel both to other genres in McCarthy’s oeuvre, and to the way these genres have influenced McCarthy’s writing.

chapter |5 pages

Introduction

chapter 2|17 pages

The Ties that Bind

Intertextual Links between All the Pretty Horses and Sir Gawain and the Green Knight

chapter 4|16 pages

Cormac McCarthy's House

chapter 5|22 pages

The Painterly Eye

Waterscapes in Cormac McCarthy's The Road

chapter 6|10 pages

The Silent Sheriff

No Country for Old Men—A Comparison of Novel and Film

chapter 7|12 pages

“A Namelessness Wheeling in the Night”

Shapes of Evil in Cormac McCarthy's Blood Meridian and John Carpenter's Halloween

chapter 8|9 pages

“A Novel in Dramatic Form”

Metaphysical Tension in The Sunset Limited

chapter 9|24 pages

Believing in The Sunset Limited

Tom Cornford and Peter Josyph on Directing McCarthy

chapter 10|10 pages

Cold Dimensions, Little Worlds

Self, Death, and Motion in Suttree and Beckett's Murphy

chapter 11|13 pages

From Blue to Blood

Jean Toomer's “Blue Meridian” and Cormac McCarthy's Blood Meridian as Intertexts

chapter 12|16 pages

Versions of the Seeleroman

Cormac McCarthy and Leslie Silko