ABSTRACT

Written with the same warmth, liveliness and ability to re-create reality that made Stanislavski a great actor, his autobiography tells of his childhood in the world of Moscow's wealthy merchants, his successes and failures as an amateur actor, how he studied human beings, and developed what has come to be known as the Stanislavski Method, how his group of dedicated amateurs became perhaps the greatest acting group the world has ever known (Washington Post), The Moscow Art Theatre.

chapter Chapter I|9 pages

Old Russia

chapter Chapter II|9 pages

Family Life

chapter Chapter III|11 pages

Struggles with Obstinacy

chapter Chapter IV|7 pages

Value of Childish Impressions

chapter Chapter V|19 pages

Play Days

chapter Chapter VI|8 pages

Our Home Theatre

chapter Chapter VII|10 pages

A Suddenly Discovered Talent

chapter Chapter VIII|15 pages

Russian Dramatic Schools

chapter Chapter IX|12 pages

The Little Theatre

chapter Chapter X|6 pages

The Conservatory

chapter Chapter XI|7 pages

Anton Rubinstein

chapter Chapter XII|16 pages

Attempts in Operettas

chapter Chapter XIII|9 pages

The Opera

chapter Chapter XIV|7 pages

The Mamontov Circle

chapter Chapter XV|13 pages

The Society of Art and Literature

chapter Chapter XVI|8 pages

Fundamentals of Art Material

chapter Chapter XVII|11 pages

Marriage

chapter Chapter XVIII|16 pages

Character Parts

chapter Chapter XIX|11 pages

Genius of Director Kronek

chapter Chapter XX|10 pages

First Experience as a Director

chapter Chapter XXI|9 pages

Lev Tolstoy

chapter Chapter XXII|12 pages

“Uriel Acosta”

chapter Chapter XXIII|8 pages

“The Polish Jew”

chapter Chapter XXIV|10 pages

The Professional Theatre

chapter Chapter XXV|9 pages

New Stage Effects

chapter Chapter XXVI|12 pages

Tommaso Salvini the Elder

chapter Chapter XXVII|11 pages

Othello

chapter Chapter XXVIII|12 pages

Meeting with Nemirovich-Danchenko

chapter Chapter XXIX|11 pages

My Summer in Pushkino

chapter Chapter XXX|18 pages

The Founding of the Moscow Art Theatre

chapter Chapter XXXI|11 pages

The Productions of the Moscow Art Theatre

chapter Chapter XXXII|4 pages

The Line of the Fantastic

chapter Chapter XXXIII|8 pages

Symbolism and Impressionism

chapter Chapter XXXIV|8 pages

“The Seagull”

chapter Chapter XXXV|4 pages

“Uncle Vanya”

chapter Chapter XXXVI|6 pages

The Journey to the Crimea in 1900

chapter Chapter XXXVII|6 pages

“The Three Sisters”

chapter Chapter XXXVIII|6 pages

The First Journey to Petrograd

chapter Chapter XXXIX|8 pages

Journeys to the Provinces

chapter Chapter XL|10 pages

The Line of Social and Political Moods

chapter Chapter XLII|7 pages

“Julius Cæsar”

chapter Chapter XLIII|5 pages

The Last Year with Chekhov

chapter Chapter XLIV|5 pages

“The Cherry Orchard”

chapter Chapter XLV|14 pages

The Studio on Povarskaya

chapter Chapter XLVI|11 pages

Our First Journey Abroad

chapter Chapter XLVII|8 pages

The Cabbage Parties

chapter Chapter XLVIII|10 pages

The Beginnings of My System

chapter Chapter XLVIX|4 pages

Leopold Sulerjitsky

chapter Chapter L|12 pages

“The Drama of Life”

chapter Chapter LI|9 pages

Disappointments

chapter Chapter LII|5 pages

“The Life of Man”

chapter Chapter LIII|7 pages

A Visit to Maeterlinck

chapter Chapter LIV|20 pages

Isadora Duncan and Gordon Craig

chapter Chapter LV|6 pages

The First Studio

chapter Chapter LVI|11 pages

The Founding of the First Studio

chapter Chapter LVII|5 pages

“A Month in the Country”

chapter Chapter LVIII|3 pages

The War

chapter Chapter LIX|8 pages

The Second Revolution

chapter Chapter LX|5 pages

The Opera Studio

chapter Chapter LXI|10 pages

My Life in Art