The last decade has marked the growing visibility and worldwide interest in Israeli cinema. Films such as Walk on Water, Or, My Treasure, Beaufort and Waltz with Bashir have been commercially and critically successful both in Europe and the United States and have won a number of prestigious international awards. This book examines for the first time the new ideological and aesthetic trends in contemporary Israeli cinema. More specifically, it critically explores the complex and crucial role of Israeli cinema in remembering and restaging traumas and losses that were denied entry into the shared national past.

One of the most striking phenomena in contemporary Israeli cinema is the number and scope of films dealing with past traumatic events – events that were repressed or insufficiently mourned, such as the memory of the Holocaust, traumas from wars and terrorist attacks, and the losses entailed by the experience of immigration. Current Israeli cinema exposes and highlights a radical discontinuity between history and memory. Traumatic events from Israeli society’s past are represented as the private memory of distinct social groups – soldiers, immigrants, women, queers – and not as collective memory, as a lived and practiced tradition that conditions Israeli society. This detachment from national collective memory pulls the films into a world marked by a persistent blurring of the historical context and by private and subjective impressions – a timeless world of dreams, hallucinations and myths. These groups feel duty-bound to remember the past, recasting repressed memories through the cinema in order to return and to give meaning to their identity.

chapter |18 pages


The Wounds of the Nation: Exploring the New Israeli Cinema

part I|42 pages

Specters of War

chapter 1|20 pages

Ruptures of History

Trauma, Memory, and the Archive in Beaufort

chapter 2|20 pages

Spectacles of Pain

War, Trauma, and Male Masochism in Kippur

part II|40 pages

Trauma and Ethnicity

chapter 3|19 pages

Restaging the Primal Scene

Melancholia and Ethnicity in Cinema Egypt and Desperado Square

chapter 4|19 pages

Recycled Wounds

Trauma, Gender, and Ethnicity in Or, My Treasure

part III|36 pages

Sexuality and Loss

chapter 5|18 pages

The National Closet

Trauma, Loss, and Sex in Yossi and Jagger

chapter 6|16 pages

Phantasmatic Losses

National Traumas, Masculinity, and the Primal Fantasy in Walk on Water

part IV|25 pages

Trauma and Ethics

chapter 7|23 pages

The Identity of the Victim

Trauma and Responsibility in Beaufort, Lebanon, Waltz with Bashir, and Forgiveness