ABSTRACT

This revised edition of a now classic text includes a new introduction by Henry Jenkins, explaining ‘Why Fiske Still Matters’ for today’s students, followed by a discussion between former Fiske students Ron Becker, Aniko Bodroghkozy, Steve Classen, Elana Levine, Jason Mittell, Greg Smith and Pam Wilson on ‘John Fiske and Television Culture’. Both underline the continuing relevance of this foundational text in the study of contemporary media and popular culture.

Television is unique in its ability to produce so much pleasure and so many meanings for such a wide variety of people. In this book, John Fiske looks at television’s role as an agent of popular culture, and goes on to consider the relationship between this cultural dimension and television’s status as a commodity of the cultural industries that are deeply inscribed with capitalism. He makes use of detailed textual analysis and audience studies to show how television is absorbed into social experience, and thus made into popular culture. Audiences, Fiske argues, are productive, discriminating, and televisually literate.

Television Culture provides a comprehensive introduction for students to an integral topic on all communication and media studies courses.

chapter 2|16 pages

REALISM

chapter 3|11 pages

REALISM AND IDEOLOGY

chapter 4|14 pages

SUBJECTIVITY AND ADDRESS

chapter 5|22 pages

ACTIVE AUDIENCES

chapter 6|25 pages

ACTIVATED TEXTS

chapter 7|20 pages

INTERTEXTUALITY

chapter 8|21 pages

NARRATIVE

chapter 9|31 pages

CHARACTER READING

chapter 10|19 pages

GENDERED TELEVISION: FEMININITY

chapter 11|26 pages

GENDERED TELEVISION: MASCULINITY

chapter 12|16 pages

PLEASURE AND PLAY

chapter 13|25 pages

CARNIVAL AND STYLE

chapter 14|16 pages

QUIZZICAL PLEASURES

chapter 15|29 pages

NEWS READINGS, NEWS READERS

chapter 16|19 pages

CONCLUSION: THE POPULAR ECONOMY