ABSTRACT

Dramatist, theatre practitioner, novelist, and painter, August Strindberg’s diverse dramatic output embodied the modernist sensibility. He was above all one of the most radical innovators of Western theatre.

This book provides an insightful assessment of Strindberg’s vital contribution to the dramatic arts, while placing his creative process and experimental approach within a wider cultural context. Eszter Szalczer explores Strindberg’s re-definition of drama as a fluid, constantly evolving form that profoundly influenced playwriting and theatrical production from the German Expressionists to the Theatre of the Absurd. Key productions of Strindberg’s plays are analysed, examining his theatre as a living voice that continues to challenge audiences, critics, and even the most innovative directors.

August Strindberg provides an essential and accessible guide to the playwright’s work and illustrates the influence of his drama on our understanding of contemporary theatre.

part |6 pages

Overview

part I|34 pages

Versions of a life

chapter 1|22 pages

Problematics of biography vs autobiography

chapter 2|10 pages

Between fiction and reality

part II|27 pages

A life in the theatre

chapter 3|5 pages

The Scandinavian Experimental Theatre

chapter 4|5 pages

Strindberg and the Independent Theatre Movement

The first productions

chapter 5|8 pages

Strindberg and stagecraft

Theory and practice

chapter 6|7 pages

The Intimate Theatre

part III|50 pages

Key plays

chapter 7|11 pages

Naturalism and the modern character

chapter 9|7 pages

The last sonatas

chapter 10|12 pages

Modernising history

part IV|81 pages

Key plays/productions

chapter 11|19 pages

Miss Julie

From failed world premiere to worldwide acclaim

chapter 12|37 pages

A Dream Play

From closet drama to post-modern performance