ABSTRACT

It has been argued that the history of landscape and of gardens has been marginalized from the mainstream of art history and visual studies because of a lack of engagement with the theories, methods and concepts of these disciplines. This book explores possible ways out of this impasse in such a way that landscape studies would become pivotal through its theoretical advances, since landscape studies would challenge the underlying assumptions of traditional phenomenological theory. Thus the history and theory of twentieth-century landscape might not only once again share concepts and methods with contemporary art and design history, but might in turn influence them.
A complementary sequel to Relating Architecture to Landscape, this volume of essays explores further areas of interest and discussion in the landscape/architecture debate and offers contributions from a team of well-known researchers, teachers and writers. The choice of topics is wide-ranging and features case studies of modern and contemporary schemes from the USA, Far East and Australasia.

part |54 pages

The Site of Memory

part |44 pages

Vision and Optical Instruments

chapter |14 pages

‘The Rational Point of View'

Eugène-Emmanuel Viollet-le-Duc and the Camera Lucida

chapter |18 pages

Subject to Circumstance

The Landscape of the French Lighthouse System

part |55 pages

Concepts of Nature and Body

chapter |8 pages

Self, Scene and Action

The Final Chapter of Yuan Ye

chapter |23 pages

The House of Light and Entropy

Inhabiting the American Desert

part |41 pages

Observing, Recording

chapter |19 pages

Landscape to Inscape

Topography as Ecclesiological Vision

chapter |19 pages

Fluid Precision

Giacomo Della Porta and the Acqua Vergine fountains of Rome

part |56 pages

Aesthetic Analysis

chapter |17 pages

New Projects for the City of Münster

Llya Kabakov, Herman De Vries and Dan Graham