ABSTRACT

The Routledge Companion to Philosophy and Film is the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The Companion features sixty specially commissioned chapters from international scholars and is divided into four clear parts:

• issues and concepts
• authors and trends
• genres
• film as philosophy.

Part one is a comprehensive section examining key concepts, including chapters on acting, censorship, character, depiction, ethics, genre, interpretation, narrative, reception and spectatorship and style. Part two covers authors and scholars of film and significant theories Part three examines genres such as  documentary, experimental cinema, horror, comedy and tragedy. Part four includes chapters on key directors such as Tarkovsky, Bergman and Terrence Malick and on particular films including Memento

Each chapter includes a section of annotated further reading and is cross-referenced to related entries.

The Routledge Companion to Philosophy and Film is essential reading for anyone interested in philosophy of film, aesthetics and film and cinema studies. 

part |288 pages

Issues and Concepts

chapter |9 pages

Acting

chapter |17 pages

Authorship

chapter |10 pages

Censorship

chapter |13 pages

Consciousness

chapter |12 pages

Definition of “Cinema”

chapter |11 pages

Depiction

chapter |11 pages

Digital Cinema

chapter |11 pages

Emotion and Affect

chapter |14 pages

Empathy and Character Engagement

chapter |10 pages

Ethics

chapter |10 pages

Film As Art

chapter |11 pages

Formalism

chapter |10 pages

Gender

chapter |10 pages

Genre

chapter |11 pages

Interpretation

chapter |11 pages

Medium

chapter |12 pages

Music

chapter |11 pages

Narration

chapter |10 pages

Narrative Closure

chapter |10 pages

Ontology

chapter |10 pages

Race

chapter |12 pages

Realism

chapter |11 pages

Spectatorship

chapter |8 pages

Sound

chapter |11 pages

Style

chapter |10 pages

Violence

part |192 pages

Authors and Trends

chapter |10 pages

Rudolph Arnheim

chapter |12 pages

Walter Benjamin

chapter |10 pages

David Bordwell

chapter |11 pages

Bertolt Brecht

chapter |10 pages

Noël Carroll

chapter |12 pages

Stanley Cavell

chapter |12 pages

Cognitive Theory

chapter |10 pages

Gilles Deleuze

chapter |9 pages

Sergei Eisenstein

chapter |10 pages

Christian Metz

chapter |11 pages

Jean Mitry

chapter |14 pages

Edgar Morin

chapter |13 pages

Hugo MÜnsterberg

chapter |11 pages

Phenomenology

chapter |11 pages

Psychoanalysis

chapter |13 pages

Semiotics and Semiology

chapter |11 pages

Wittgenstein

part |65 pages

Genres and Other Types

chapter |11 pages

Dogme 95

chapter |11 pages

Documentary

chapter |10 pages

Horror

chapter |12 pages

Pornography

chapter |9 pages

Avant-Garde Film

chapter |10 pages

Tragedy and Comedy

part |114 pages

Film as Philosophy

chapter |11 pages

Film as Philosophy

chapter |9 pages

Ingmar Bergman

chapter |12 pages

Terrence Malick

chapter |10 pages

Andrei Tarkovsky

chapter |10 pages

Why Be Moral?

chapter |10 pages

Skepticism

chapter |9 pages

Personal Identity

chapter |10 pages

The Five Obstructions

chapter |9 pages

Gattaca

chapter |11 pages

Memento