ABSTRACT

Fields in Vision offers a comprehensive and analytical study of the international phenomenon of television sports coverage. Garry Whannel considers the historical development of sport on television, the growth of sponsorship and the way that television and sponsorship have re-shaped sport in the context of the enterprise culture.
Drawing on archival research, Whannel first charts the development of the BBC Outside Broadcast department, and the growing battle for dominance between BBC and ITV, showing how sponsorship and the rising power of sports agents began to transform sport - not only in the UK but across the world - in the 1960s. He goes on to examine the implications of this vast and escalating global network during the 1980s by analysing the central role that stars and narratives began to play in television sport, presenting case studies of major contests such as Coe versus Ovett and Decker versus Budd. His study also takes into account one of the more indirect, but no less significant results of international televised sport - the rise of popular fitness chic and the American monopoly of the workout boom of the 1980s.
Fields in Vision explains the development of television sport by linking its economic transformation with the cultural forms through which it is represented, offering a study encompassing not simply the sports world, but our relationship with television and the media industries as a whole.

chapter 1|10 pages

Sport, television and culture

part 1|74 pages

Institutions, practices and economic relations

chapter 4|22 pages

BBC v. ITV competition

chapter 5|18 pages

Made for television

Sponsorship and the rise of the sports agent

part 2|64 pages

Sport on television

chapter 6|17 pages

Analysing television sport

Transformations of space and time

chapter 7|17 pages

Assemblage and framing

chapter 8|28 pages

Stars, narratives and ideologies

part 3|60 pages

Cultural transformations

chapter 9|12 pages

The case of athletics

chapter 10|18 pages

The road to globalisation

chapter 11|13 pages

Field of representations

chapter 12|9 pages

Audiences and pleasures

chapter 13|6 pages

Final thoughts