ABSTRACT

Film Policy is the first comprehensive overview of the workings of the international film industry. The authors examine film cultures and film policy across the world, explaining why Hollywood cinema dominates the global film market, and the effects of the rise of television and video on the international industry.
In a series of case studies drawn from North America, Europe, Latin America, Asia and Australia, the authors explore the relationship between Hollywood cinema product and national film cultures, and trace the development of international and national film policies, looking at issues of financing, regulation, protectionism and censorship.

chapter 1|18 pages

Terms for a Reader

Film, Hollywood, national cinema, cultural identity and film policy

part 1|78 pages

Policy in a Global Industry

chapter 1|16 pages

Adjusting to the New Global Economy

Hollywood in the 1990s

chapter 3|9 pages

Selling Television

chapter 4|13 pages

The Crime of Monsieur Lang

GATT, the screen, and the new international division of cultural labour

chapter 5|12 pages

European Co-Production Strategies

The Case of France and Britain

part II|110 pages

National Film Policies

chapter 6|12 pages

British Film Policy

chapter 7|14 pages

Policy Rhetorics of an Imaginary Cinema

The discursive economy of the emergence of the Australian and Canadian feature film

chapter 8|20 pages

Film Policy in Latin America 1

chapter 9|23 pages

India's National Film Policy

Shifting Currents in the 1990s

chapter 10|12 pages

Cinema Polic(ing)y in Indonesia

chapter 11|26 pages

Film and Cinema in Singapore

Cultural Policy as Control *

part III|58 pages

Intranational Perspectives

chapter 12|18 pages

Art and Industry

Regional film and video policy in the UK

chapter 13|14 pages

Peripheral Visions

Regionalism, Nationalism, Internationalism

chapter 15|12 pages

Speaking Out

Indigenous film policy debates in Australia, New Zealand and Canada