ABSTRACT

The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Because editing is about more than learning a specific software program, this book focuses on the fundamentals of editing as art. Analysis of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This edition includes brand new chapters covering the goals of editing, including editing for narrative clarity, subtext, aesthetics, and dramatic emphasis, all showing how to evoke specific audience responses. Some of the new films to be discussed include A History of Violence, Atonement, The Departed , Forgetting Sarah Marshall, MIchael Clayton, and more.

part |2 pages

Section 1 History of Film Editing

chapter 1|30 pages

The Silent Period

chapter 2|12 pages

The Early Sound Film

chapter 3|16 pages

The Influence of the Documentary

chapter 4|10 pages

The Influence of the Popular Arts

chapter 5|16 pages

Editors Who Became Directors

chapter 6|12 pages

Experiments in Editing: Alfred Hitchcock

chapter 7|16 pages

New Technologies

chapter 8|18 pages

International Advances

chapter 9|10 pages

The Influence of Television and Theatre

chapter 11|12 pages

The MTV Influence on Editing I

chapter 12|16 pages

The MTV Influence on Editing II

chapter 13|10 pages

Changes in Pace

part |2 pages

Section 2 Goals of Editing

chapter 17|12 pages

Editing for Narrative Clarity

chapter 18|12 pages

Editing for Dramatic Emphasis

chapter 19|10 pages

Editing for Subtext

chapter 20|8 pages

Editing for Aesthetics

part |2 pages

Section 3 Editing for the Genre

chapter 21|14 pages

Action

chapter 22|14 pages

Dialog

chapter 23|12 pages

Comedy

chapter 24|14 pages

Documentary

chapter 25|8 pages

Imaginative Documentary

chapter 26|14 pages

Innovations in Documentary I

chapter 27|6 pages

Innovations in Documentary II

part |2 pages

Section 4 Principles of Editing

chapter 28|10 pages

The Picture Edit and Continuity

chapter 29|10 pages

The Picture Edit and Pace

chapter 30|8 pages

Nonlinear Editing and Digital Technology I

chapter 31|14 pages

Nonlinear Editing and Digital Technology II

chapter 32|2 pages

Conclusion