ABSTRACT

Every film or show that we watch, no matter how great the final cut, has its problems during production. Whether it's a bad performance from an actor, a hole in the story or script, continuity or pacing issues, or something being placed in a shot that shouldn't be, there's no shortage of problems encountered once postproduction has begun. Fixing these problems then becomes the job of the editor. This book provides those editors with creative editing solutions they can employ to overcome these problems and is the key to nursing a sick project back to health in the editing room.

Though the book takes an application-agnostic approach, specific solutions are presented for today's most commonly used non-linear editing applications. Solutions more relevant to certain genres are discussed in-depth, as are solutions that editors can employ through the use of simple VFX techniques. Case studies and interviews with Hollywood editors provide readers with real-world problems encountered, and solutions used to overcome them. The companion website provides Quicktime videos and Flash animations visually demonstrating problems and how they were dealt with.

chapter 1|8 pages

Prescriptions for Success

chapter 2|8 pages

Mastering the Art of Film Editing

chapter 3|12 pages

The Film Doctor Is In

chapter 4|18 pages

The Instruments

chapter 5|10 pages

Alternative Medicine

chapter 6|10 pages

Genre Editing Styles I

chapter 7|12 pages

Genre Editing Styles II

chapter 8|12 pages

Genre Editing Styles III

chapter 9|18 pages

Internal Medicine

chapter 10|12 pages

Surgery

chapter 11|10 pages

Psychiatry of Character Disorders—Part I

chapter 13|8 pages

Genetics

chapter 14|20 pages

Cardiac Unit

chapter 15|10 pages

Bedside Manner

chapter 16|8 pages

Triage

chapter 17|12 pages

Post-mortem