ABSTRACT

This is the first collection of essays since George Sherburn’s landmark monograph The Early Career of Alexander Pope (1934) to reconsider how the most important and influential poet of eighteenth-century Britain fashioned his early career. The volume covers Pope’s writings from across the reign of Queen Anne and just beyond. It focuses, in particular, on his interaction with the courtly culture constellated round the Queen. It examines, for instance, his representations of Queen Anne herself, his portrayals of politics and patronage under her reign, his negotiations with current literary theory, with the classical tradition, with chronologically distant yet also contemporaneous English poets, with current thought on the passions, and with membership of a religious minority. In doing so, it comprehensively reconsiders anew the ways in which Pope, increasingly supportive of Anne’s rule and mindful of the Virgilian rota, sought at first to realise his authorial aspirations.

chapter |20 pages

Introduction

chapter 1|20 pages

Pope, Verrio and Hampton Court

The Stuart Monarch in The Rape of the Lock and Windsor-Forest

chapter 2|19 pages

Sheep and Wolf

Pope, Philips and the Pastorals Revisited

chapter 3|17 pages

Pope’s Precocious Decade

Models of Literary History for the Age of Queen Anne

chapter 4|18 pages

‘Alexander, have a care’

Anne Finch as Alexander Pope’s Mentor

chapter 5|18 pages

Hyperbolic Worlds

The Legacy of Edmund Waller in Alexander Pope’s The Rape of the Lock

chapter 6|24 pages

Pope and Chaucer

Reconstructing The House of Fame in the Reign of Queen Anne

chapter 8|22 pages

Painting Deformed Portraits

Humour in Pope’s Early Prose

chapter 9|22 pages

Renewing the Classics in the Age of Queen Anne

The Making of Pope’s Iliad

chapter |3 pages

Conclusion