ABSTRACT

Singing and Dictation for Today's Musician expands the Today's Musician family of textbooks to encompass the essential elements of musicianship and aural skills training. Featuring chapters that correspond to the organization of Theory for Today's Musician, this new textbook complements the theory text to offer a complete curriculum package, allowing students and instructors to reinforce written theory skills with relevant musicianship exercises. Combining sight singing and dictation in a single volume, this new textbook underscores the value of combining the human senses in understanding the intellectual and analytic concepts of music theory.

Features of this text include:

  • Flexibility for the instructor in using moveable or fixed "Do," scale degree numbers, and neutral syllables for singing
  • Both singing and dictation exercises included in each unit, allowing the two skills to be fully integrated
  • Companion website with audio recordings and instructor keys for the exercises, at www.routledge.com/cw/mccarthy
  • Units match the pacing and order of topics in Theory for Today’s Musician, allowing the texts to be easily used in sync.

Beginning with fundamentals and continuing up through twentieth-century materials, Singing and Dictation for Today’s Musician allows instructors to closely align their teaching of musicianship and aural skills with the written theory curriculum, enhancing student understanding of core music principles.

part One|22 pages

Fundamentals

chapter |4 pages

Introduction: Assorted Preliminaries

chapter Unit 1|5 pages

The Church Modes

chapter Unit 2|10 pages

Intervals of the Major and Minor Scale

part Two|33 pages

Diatonic Harmony

chapter Unit 3|8 pages

Basic Harmonic Structures

chapter Unit 4|7 pages

Intervals/Melodic Sequence

chapter Unit 5|8 pages

Harmonies of the Major and Minor Scale

chapter Unit 6|7 pages

Cadences

part Three|30 pages

Melodic Principles

chapter Unit 7|8 pages

Melodic Pitch and Rhythm

chapter Unit 8|9 pages

Embellishing Tones

chapter Unit 9|10 pages

Melodic Form/First Inversion Harmonies

part Four|37 pages

Voice Leading

chapter Unit 10|5 pages

Melodic Principles/The Outer-Voice Framework

chapter Unit 11|5 pages

Mediants

chapter Unit 12|6 pages

Progression

chapter Unit 13|10 pages

Seventh Chords/Second-Inversion Harmonies

chapter Unit 14|7 pages

Uses of the Six-Four Chord

part Five|29 pages

Chromatic Materials

chapter Unit 15|9 pages

Secondary Function I

chapter Unit 16|6 pages

Secondary Function II

chapter Unit 17|9 pages

Modulation I

part Six|12 pages

Counterpoint

chapter Unit 18|5 pages

The Art of Countermelody

chapter Unit 19|4 pages

The Fugue

part Seven|48 pages

Advanced Chromatic Harmony and Form

chapter Unit 20|8 pages

Mixing Modes

chapter Unit 21|6 pages

Altered Pre-Dominants I

chapter Unit 22|5 pages

Altered Pre-Dominant II

chapter Unit 23|10 pages

Modulation II

chapter Unit 24|8 pages

Harmonic Extensions

chapter Unit 25|6 pages

Binary and Ternary Forms

part 8|48 pages

Twentieth-Century Materials

chapter Unit 26|17 pages

Syntax and Vocabulary

chapter Unit 27|9 pages

New Tonal Methods

chapter Unit 28|9 pages

Non-Serial Atonality

chapter Unit 29|8 pages

Serial Atonality