ABSTRACT

Offering a roadmap for practicing verbatim theatre (plays created from oral histories), this book outlines theatre processes through the lens of oral history and draws upon oral history scholarship to bring best practices from that discipline to theatre practitioners.

This book opens with an overview of oral history and verbatim theatre, considering the ways in which existing oral history debates can inform verbatim theatre processes and highlights necessary ethical considerations within each field, which are especially prevalent when working with narrators from marginalised communities. It provides a step-by-step guide to creating plays from interviews and contains practical guidance for determining the scope of a theatre project: identifying narrators and conducting interviews, developing a script from excerpts of interview transcripts and outlining a variety of ways to create verbatim theatre productions. By bringing together this explicit discussion of oral history in relationship to theatre based on personal testimonies, the reader gains insight into each field and the close relationship between the two. 

Supported by international case studies that cover a wide range of working methods and productions, including The Laramie Project and Parramatta Girls, this is the perfect guide for oral historians producing dramatic representations of the material they have sourced through interviews, and for writers creating professional theatre productions, community projects or student plays.

part Part I|42 pages

Overview

chapter |5 pages

Introduction

chapter 1|15 pages

What Is Verbatim Theatre?

chapter 2|7 pages

Oral History and Verbatim Theatre

Similar but Different

part Part III|87 pages

Creating a Play from Interviews

chapter 6|23 pages

Getting Started

chapter 7|17 pages

The Interview

chapter 8|7 pages

After the Interview

Transcribing and Preparing for the Scripting Process

chapter 9|12 pages

Sculpting Your Play

From Transcript to Playscript

chapter 10|10 pages

Scripting Options and Techniques

chapter 11|6 pages

Beyond the Script

chapter 12|6 pages

Rehearsal and Performance

chapter 13|4 pages

Over to You, Now!

part Part IV|25 pages

Examples of Work by Verbatim Theatre Playwrights and Companies