ABSTRACT

This project studies the patterns in which the Medusa myth shapes, constructs, and transforms new meanings of women today, correlating portrayals in ancient Greek myth, nineteenth- century Symbolist painting, and new, controversial, visions of women in contemporary art.

The myth of the Medusa has long been the ultimate symbol of woman as monster. With her roots in classical mythology, Medusa has appeared time and again throughout history and culture and this book studies the patterns in which the Medusa myth shapes, constructs, and transforms new meanings of women today. Hedgecock presents an interdisciplinary and broad historical “cultural reflections” of the modern Medusa, including the work of Maria Callas, Nan Goldin, the Symbolist painters and twentieth-century poets.

This timely and necessary work will be key reading for students and researchers specializing in mythology or gender studies across a variety of fields, touching on interdisciplinary research in feminist theory, art history and theory, cultural studies, and psychology.

chapter |12 pages

Introduction

The shadow in the glass

part I|2 pages

The myth

chapter 1|17 pages

The modern Medusa

chapter 3|24 pages

Symbolism in the Medusa myth

The decapitated head of Medusa

part II|2 pages

Symbolist interpretations of Medusa

part III|2 pages

Medusa in the twenty-first century

chapter 7|14 pages

Nan Goldin and a new vision of Medusa

chapter 8|10 pages

Liz Craft and the all knowing “I”