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      Lighting for Televised Live Events
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      Book

      Lighting for Televised Live Events

      DOI link for Lighting for Televised Live Events

      Lighting for Televised Live Events book

      Making Your Live Production Look Great for the Eye and the Camera

      Lighting for Televised Live Events

      DOI link for Lighting for Televised Live Events

      Lighting for Televised Live Events book

      Making Your Live Production Look Great for the Eye and the Camera
      ByJames L. Moody, Jeff Ravitz
      Edition 1st Edition
      First Published 2021
      eBook Published 31 May 2021
      Pub. Location New York
      Imprint Routledge
      DOI https://doi.org/10.4324/9780429288982
      Pages 182
      eBook ISBN 9780429288982
      Subjects Arts
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      Moody, J.L., & Ravitz, J. (2021). Lighting for Televised Live Events: Making Your Live Production Look Great for the Eye and the Camera (1st ed.). Routledge. https://doi.org/10.4324/9780429288982

      ABSTRACT

      Lighting for Televised Live Events unlocks the science, art, philosophies, and language of creating lighting for live entertainment and presentations that work for the television camera as well as for the live audience.

      The book explores how to retain the essence and excitement of a live production while assuring that the show looks its best on-camera for the millions of viewers that can only see it on their TV, computer, tablet, or mobile phone screen. Readers will learn how to adapt an existing stage show for the camera, as well as how to design live entertainment or events specifically for TV. Filled with real-life examples and illustrations, the book covers a wide range of topics, including:

      • how exposure and color work for the camera;
      • how angle, visual balance, and composition can make people and backgrounds look their best, while preserving theatricality;
      • information on camera equipment, screens, and projectors, as well as the control room environments that are found on a professional shoot;
      • the unique challenges of lighting for the IMAG video screens used at festivals and concerts.

      Lighting for Televised Live Events is aimed at lighting design students, as well as professional designers that are considering a career — or a career expansion — in television. It is an essential resource for any stage lighting designer whose show may be shot for a television special or a live webcast and who will be asked by their client to collaborate with the incoming video team.

      TABLE OF CONTENTS

      part Part I|46 pages

      The Science

      chapter Chapter 1|6 pages

      Introduction

      Making Your Live Production Look Great for the Eye and the Camera

      chapter Chapter 2|7 pages

      Exposure

      chapter Chapter 3|6 pages

      Contrast in Lighting

      chapter Chapter 4|6 pages

      Dynamic Range

      chapter Chapter 5|5 pages

      Balance

      chapter Chapter 6|14 pages

      Color and Color Temperature

      part Part II|38 pages

      The Art

      chapter Chapter 7|20 pages

      Angles in Lighting

      chapter Chapter 8|6 pages

      Composition

      chapter Chapter 9|5 pages

      Depth of Field

      chapter Chapter 10|5 pages

      Aesthetics

      Style and Taste

      part Part III|20 pages

      The Equipment

      chapter Chapter 11|3 pages

      Contrast Ratios of Displays

      chapter Chapter 12|9 pages

      Digital Cameras and Projectors

      chapter Chapter 13|6 pages

      Projection Screens and LED Tiles

      part Part IV|52 pages

      The Production

      chapter Chapter 14|8 pages

      Festivals

      chapter Chapter 15|3 pages

      Content Video

      chapter Chapter 16|17 pages

      Adapting the Live Show

      The Camera Tells the Same Story … in a Different Way

      chapter Chapter 17|8 pages

      Made-For-TV

      chapter Chapter 18|7 pages

      The Control Room and TV Truck

      chapter Chapter 19|3 pages

      Theatre Production

      chapter Chapter 20|2 pages

      Meetings and Special Events

      chapter Chapter 21|2 pages

      Conclusion

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