ABSTRACT

Lighting for Televised Live Events unlocks the science, art, philosophies, and language of creating lighting for live entertainment and presentations that work for the television camera as well as for the live audience.

The book explores how to retain the essence and excitement of a live production while assuring that the show looks its best on-camera for the millions of viewers that can only see it on their TV, computer, tablet, or mobile phone screen. Readers will learn how to adapt an existing stage show for the camera, as well as how to design live entertainment or events specifically for TV. Filled with real-life examples and illustrations, the book covers a wide range of topics, including:

  • how exposure and color work for the camera;
  • how angle, visual balance, and composition can make people and backgrounds look their best, while preserving theatricality;
  • information on camera equipment, screens, and projectors, as well as the control room environments that are found on a professional shoot;
  • the unique challenges of lighting for the IMAG video screens used at festivals and concerts.

Lighting for Televised Live Events is aimed at lighting design students, as well as professional designers that are considering a career — or a career expansion — in television. It is an essential resource for any stage lighting designer whose show may be shot for a television special or a live webcast and who will be asked by their client to collaborate with the incoming video team.

part I|46 pages

The Science

chapter Chapter 1|6 pages

Introduction

Making Your Live Production Look Great for the Eye and the Camera

chapter Chapter 2|7 pages

Exposure

chapter Chapter 3|6 pages

Contrast in Lighting

chapter Chapter 4|6 pages

Dynamic Range

chapter Chapter 5|5 pages

Balance

chapter Chapter 6|14 pages

Color and Color Temperature

part II|38 pages

The Art

chapter Chapter 7|20 pages

Angles in Lighting

chapter Chapter 8|6 pages

Composition

chapter Chapter 9|5 pages

Depth of Field

chapter Chapter 10|5 pages

Aesthetics

Style and Taste

part III|20 pages

The Equipment

chapter Chapter 11|3 pages

Contrast Ratios of Displays

chapter Chapter 12|9 pages

Digital Cameras and Projectors

chapter Chapter 13|6 pages

Projection Screens and LED Tiles

part IV|52 pages

The Production

chapter Chapter 14|8 pages

Festivals

chapter Chapter 15|3 pages

Content Video

chapter Chapter 16|17 pages

Adapting the Live Show

The Camera Tells the Same Story … in a Different Way

chapter Chapter 17|8 pages

Made-For-TV

chapter Chapter 18|7 pages

The Control Room and TV Truck

chapter Chapter 19|3 pages

Theatre Production

chapter Chapter 20|2 pages

Meetings and Special Events

chapter Chapter 21|2 pages

Conclusion