ABSTRACT

The Routledge International Handbook of Practice-Based Research presents a cohesive framework with which to conduct practice-based research or to support, manage and supervise practice-based researchers. It has been written with an inclusive approach, with the intention of presenting deep and meaningful knowledge for the benefit of all readers.

This handbook has been designed to present specific detail of practice-based research by outlining its shared traits with all forms of research and to highlight its core distinguishing features into a cohesive, principled and methodical approach. To this end, the handbook is presented in five sections: 1. Practice-Based Research, 2. Knowledge, 3. Method, 4. The Practice-Based PhD and 5. Practitioner Voices. Each section begins with a leading chapter that outlines each of the distinct areas as they relate to practice-based research. This is followed by a series of contributing chapters that discuss pertinent themes in more detail.

Practitioners from a broad range of backgrounds will find these chapters helpful:

  • research students or final year graduates will be introduced to the principled nature of practice-based research
  • PhD researchers embarking on a research project or are in the flow of research will find this guidance supportive
  • professionals such as designers, makers, engineers, artists and creative technologists wishing to strengthen their research into their practice will be guided through the principled and focused nature of practice-based research
  • supervisors, managers and policy makers will benefit from the potential and rigour of practice-based researchers in the pursuit of new knowledge.

part I|166 pages

Practice-Based Research

chapter 1.1|15 pages

Practice-based research

chapter 1.6|15 pages

Working the space

Augmenting training for practice-based research

chapter 1.8|17 pages

Research doctorates in the arts

A perspective from Goldsmiths

chapter 1.9|23 pages

The PhD in visual arts practice in the USA

Beyond Elkins' Artists With PhDs

part II|112 pages

Knowledge

chapter 2.1|12 pages

Knowledge

chapter 2.3|20 pages

Mapping practitioner knowledge

A framework for identifying new knowledge through practice-based research

chapter 2.5|12 pages

Un-knowing

A strategy for forging new directions and innovative works through experiential materiality

part III|155 pages

Method

chapter 3.1|18 pages

Method

chapter 3.3|15 pages

Finding the groove

The rhythms of practice-based research

chapter 3.4|12 pages

Practice-based research in the visual arts

Exploring the systems of practice and the practices of research

chapter 3.5|13 pages

Crafting temporality in design

Introducing a designer-researcher approach through the creation of Chronoscope

chapter 3.6|17 pages

Thinking together through practice and research

Collaborations across living and non-living systems

chapter 3.7|17 pages

Site

An inventories approach to practice-led research

chapter 3.9|14 pages

Reflection in practice

Inter-disciplinary arts collaborations in medical settings

chapter 3.10|18 pages

Making reflection-in-action happen

Methods for perceptual emergence

part IV|142 pages

The Practice-Based PhD

chapter 4.1|14 pages

The practice-based PhD

chapter 4.3|20 pages

The sound of my hands typing

Autoethnography as reflexive method in practice-based research

chapter 4.4|17 pages

Navigating the unknown

A dramaturgical approach

chapter 4.5|16 pages

The practice of practice-based research

Challenges and strategies

chapter 4.6|11 pages

Community-building for practice-based doctoral researchers

Mapping key dimensions for creating flexible frameworks

chapter 4.8|12 pages

Ethics through an empathetic lens

A human-centred approach to ethics in practice-based research

chapter 4.9|11 pages

The practice-based PhD

Some practical considerations

part V|130 pages

Practitioner Voices

chapter 5.1|4 pages

Practitioner voices

chapter 5.3|8 pages

Risk, creative spaces and creative identity in creative technologies research

Or why it's okay for academic creative technology outputs to look scrappy and be buggy

chapter 5.4|8 pages

Feedback

Vibrotactile materials informing artistic practice

chapter 5.6|6 pages

Publishing Practice Research

Reflections of an editor

chapter 5.8|10 pages

The curious nature of negotiating studio-based practice in PhD research

Intimate bodies and technologies

chapter 5.9|9 pages

Encounters at the fringe

A relational approach to human–robot interaction

chapter 5.11|7 pages

Project-based participatory practice and research

Reflections on being ‘in the field’

chapter 5.12|6 pages

Bearing witness – the artist within the medical landscape

Reflections on a participatory and personal research by practice

chapter 5.13|8 pages

Organisational encounters and speculative weavings

Questioning a body of material

chapter 5.15|7 pages

Dreaming of utopian cities

Art, technology, Creative AI, and new knowledge

chapter 5.16|9 pages

Curating interactive art as a practice-based researcher

An enquiry into the role of autoethnography and reflective practice

chapter 5.17|9 pages

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