ABSTRACT

This essential book covers the key areas for A Level Film Studies students, building confidence through a careful, step-by-step approach.

The first part of the book establishes a basic understanding of the grounding of film analysis in the various elements of film construction, mise en scène, cinematography, editing, sound and performance, developing the knowledge students have of movies whilst challenging them to consider new films and ideas. Key theoretical approaches around narrative, genre, representation, spectatorship and authorship are introduced in Part II, before we consider specific national cinemas from around the world in parts III and IV. In Part V, the book assesses a range of slightly different film experiences, looking at silent cinema, experimental films and documentaries; before, finally, Part VI shifts to evaluating creative approaches to students’ own filmmaking.

Specifically designed to be user-friendly, the book has an easy-to-follow design, includes more than 60 colour images and is packed with features such as:

  • case studies on a range of films and filmmakers;
  • activities on such films as Sunrise: A Song of Two Humans (Murnau, 1927, USA), Vertigo (Hitchcock, 1958, USA), Do the Right Thing (Lee, 1989, USA), We Need to Talk About Kevin (Ramsay, 2011, UK) and Stories We Tell (Polley, 2012, Canada);
  • definitions of key terms; and 
  • suggestions for further reading and website resources.

Matched to the current exam specification, A Level Film Studies: The Essential Introduction covers everything students need to study as part of the course. The book is supported by a companion website at www.alevelfilmstudies.co.uk, offering further advice and activities.

chapter |14 pages

Introduction

This is film studies

part I|72 pages

Film form and analysis

chapter Chapter 1|14 pages

Mise en scène

chapter Chapter 2|19 pages

Cinematography

chapter Chapter 3|13 pages

Editing

chapter Chapter 4|13 pages

Sound

chapter Chapter 5|11 pages

Performance

part II|112 pages

Theoretical approaches and critical debates

chapter Chapter 6|32 pages

Narrative and genre

chapter Chapter 7|30 pages

Representation and ideology

chapter Chapter 8|20 pages

Spectatorship and audience studies

chapter Chapter 9|17 pages

Authorship

chapter Chapter 10|11 pages

Historical, social, and cultural contexts

part III|72 pages

Hollywood and US cinema

chapter Chapter 11|25 pages

Classic Hollywood, 1930–1960

chapter Chapter 12|14 pages

New Hollywood, 1961–1990

chapter Chapter 13|25 pages

Contemporary American cinema

part IV|89 pages

National cinemas, global cinema, and arthouse film

chapter Chapter 14|26 pages

Contemporary British cinema

chapter Chapter 15|26 pages

European film

chapter Chapter 16|26 pages

Global film

part V|85 pages

Further varieties of film experience

chapter Chapter 17|24 pages

Silent cinema

chapter Chapter 18|23 pages

Experimental film

chapter Chapter 19|36 pages

Documentary film

Theory and practice

part VI|39 pages

Understanding film through creative practice

chapter Chapter 20|37 pages

Researching and constructing a short film

Narrative construction