ABSTRACT

First published in 1998, this volume is the first book to focus on the American symphony. Neil Butterworth surveys the development of the symphony in the United States from early European influences in the last century to the present day, and asks why American composers have shown such allegiance to a musical form which their European contemporaries appear to have discarded.

An overview of the growth of musical societies in America during the eighteenth century and the establishment of the first professional orchestras during the early part of the nineteenth century is followed by chronological analyses of the works of those composers who have played important parts in the progress of symphony in the United States, from Charles Ives, Aaron Copland and Leonard Bernstein, to contemporary figures such as William Bolcom and John Harbison.

Complete with a comprehensive catalogue of symphonies and an extensive discography, this book is an indispensable reference work.

chapter |2 pages

Introduction

chapter 1|7 pages

Early Years and Orchestral Beginnings

chapter 2|8 pages

Pioneers

chapter 3|3 pages

John Knowles Paine (1839-1906)

chapter 5|10 pages

After Dvor̆ák: The Romantics

chapter 6|9 pages

Charles Ives (1874-1954)

chapter 7|16 pages

Aaron Copland (1900-1990)

chapter 8|6 pages

Elder Statesmen

chapter 9|9 pages

Walter Piston (1894-1976)

chapter 10|6 pages

Howard Hanson (1896-1981)

chapter 11|11 pages

Roy Harris (1898-1979)

chapter 12|13 pages

Serialism and Beyond

chapter 13|10 pages

Samuel Barber (1910-1981)

chapter 14|16 pages

William Schuman (1910-1992)

chapter 15|8 pages

The American Spirit

chapter 16|7 pages

Traditionalists in the Shadows

chapter 17|2 pages

Eastern Influences

chapter 18|6 pages

Peter Mennin and George Rochberg

chapter 19|11 pages

Leonard Bernstein (1918-1990)

chapter 20|16 pages

The Present Generation

chapter 21|4 pages

Symphonie Music for Band

chapter |4 pages

Postscript

chapter |21 pages

Discography