ABSTRACT

What is the Theatre? is one of the most coherent and systematic descriptions and analyses of the theatre yet compiled. Theatre is, above all, spectacle. It is a fleeting performance, delivered by actors and intended for spectators. It is a work of the body, an exercise of voice and gesture addressed to an audience, most often in a specific location and with a unique setting. This entertainment event rests on the delivery of a thing promised and expected – a particular and unique performance witnessed by spectators who have come to the site of the performance for this very reason. To witness theatre is to take into account the performance, but it is also to take into account the printed text as readable object and a written proposition.

In this book, Christian Biet and Christophe Triau focus on the practical, theoretical and historical positions that the spectator and the reader have had in relation to the locations that they frequent and the texts that they handle. They adopt two approaches: analysing the spectacle in its theatrical and historical context in an attempt to seek out the principles and paradigms of approaching the theatre experience on one hand, and analysing the dramaturgy of a production in order to establish lines of interpretation and how to read, represent and stage a text, on the other. This approach allows us to better understand the ties that link those who participate in the theatre to the practitioners who create theatrical entertainment.

chapter |6 pages

Introduction

chapter |33 pages

Points of view

part I|46 pages

What does it mean to go to the theatre?

chapter 1|10 pages

Sites and spaces

Definitions

chapter 2|19 pages

The theatrical space

A concrete space

chapter 3|7 pages

Architecture

part II|90 pages

The evolution of material and representational spaces

chapter 4|27 pages

Some theatrical sites and spaces

chapter 6|19 pages

Stage as place and stage as space

part III|84 pages

How to act at the theatre?

part IV|22 pages

Time, rhythm, tempo

part V|58 pages

The body, the actor’s play and illusion

part VI|62 pages

The reader of theatre texts

part VII|178 pages

Staging

chapter 12|42 pages

The age of all powers

chapter 13|32 pages

The experience of relativity

chapter 14|92 pages

Theatricality questioned

A theatre without illusion?

chapter |6 pages

Conclusion