ABSTRACT

First published in 1998, this volume considers the subject of arts policy as a subject of public policy making proper in UK and Ireland, with a particular focus on theatre as a profession rather than a mere hobby. Previous studies have placed the burden of policy improvements on the arts themselves, looking at what ‘the arts’ can do to be worthy of government funding and favourable policy, and have seen government actions as if they have a uniform effect. This study takes ‘the arts’ out of the abstract and discusses specific ways that diverse activities with even more diverse needs can be best approached with government policy, assessing the strengths and weaknesses of government initiatives. It is aimed at both political scientists and anyone with an interest in arts and cultural policy.

chapter |8 pages

Introduction

part One|47 pages

Policy Making

chapter 1|45 pages

Theory and context

part Two|38 pages

Language

chapter 2|36 pages

The ABC of Arts-Speak

The complexity of language in cultural policy

part Three|135 pages

Arts Policy in Great Britain and Ireland

chapter 3|31 pages

Gaps the size of craters

The beginning of arts policy in Great Britain and Ireland

chapter 5|65 pages

Shifting sands

part Four|20 pages

Theory Revisited

chapter 6|18 pages

Theory meets reality

part Five|45 pages

1992 and Beyond

chapter 7|34 pages

Modern developments: trends and prospects

chapter |9 pages

Epilogue