ABSTRACT

First Published in 1999, Hermine Weigel Williams’ study draws on more than thirty years of research to fill this noticeable lacuna , and presents here the first full scale life and works of the composer for over ninety years. Part One of the book surveys the biographical aspects of Conti’s career. Appointed court theorist at the age of nineteen, Conti was promoted to court composer in 1713-14. Williams examines Conti’s creative collaborations with some of the leading poet-librettists of the day, and the influence of his music that can be identified in works by Telemann, Bach and Handel. Part Two comprises close analyses of Conti’s compositions: his instrumental music, cantatas, operas, intermezzos, oratorios and sacred music. Williams reveals Conti as a composer who constantly experimented with a wide range of French, German and Italian ideas and techniques to create his own diverse musico-dramatic style.

part |2 pages

Part I

chapter Chapter One|12 pages

From the Medici to the Habsburgs

chapter Chapter Two|15 pages

The years 1706–1711

chapter Chapter Three|7 pages

The years 1711–1713

chapter Chapter Four|18 pages

The years 1713–1722

chapter Chapter Five|13 pages

The years 1722–1732

chapter Chapter Six|13 pages

The Conti legacy

part |2 pages

Part II

chapter Chapter Seven|21 pages

The instrumental music

chapter Chapter Eight|22 pages

The cantatas

chapter Chapter Nine|43 pages

The operas

chapter Chapter Ten|28 pages

The intermezzos

chapter Chapter Eleven|29 pages

The oratorios

chapter Chapter Twelve|24 pages

Sacred music