ABSTRACT
It has been argued that the mystical Sufi form of Islam is the most sensitive to other cultures, being accommodative to other traditions and generally tolerant to peoples of other faiths. It readily becomes integrated into local cultures and they are similarly often infused into Sufism. Examples of this reciprocity are commonly reflected in Sufi poetry, music, hagiographic genres, memoires, and in the ritualistic practices of Sufi traditions. This volume shows how this often-side-lined tradition functions in the societies in which it is found, and demonstrates how it relates to mainstream Islam.
The focus of this book ranges from reflecting Sufi themes in the Qur’anic calligraphy to movies, from ideals to everyday practices, from legends to actual history, from gender segregation to gender transgression, and from legalism to spiritualism. Consequently, the international panel of contributors to this volume are trained in a range of disciplines that include religious studies, history, comparative literature, anthropology, and ethnography. Covering Southeast Asia to West Africa as well as South Asia and the West, they address both historical and contemporary issues, shedding light on Sufism’s adaptability.
This book sets aside conventional methods of understanding Islam, such as theological, juridical, and philosophical, in favour of analysing its cultural impact. As such, it will be of great interest to all scholars of Islamic Studies, the Sociology of Religion, Religion and Media, as well as Religious Studies and Area Studies more generally.
TABLE OF CONTENTS
part I|61 pages
Cultural fusion
chapter 3|20 pages
Promoting social and religious harmony
part II|54 pages
Poetry and literature
chapter 6|17 pages
Orthodoxy, sectarianism and ideals of Sufism in an early Ottoman context
part III|52 pages
Devotional expressions in hagiography and music
chapter 8|17 pages
The abstraction of love
chapter 9|21 pages
“O beloved my heart longs for thee”
part IV|48 pages
Political discourse